Kansas State Upgrades Control Rooms with Expanded EditShare Storage
K-State returns to EditShare based on stability and reliability
Boston, MA, August 30, 2023 – EditShare®, the technology leader that enables storytellers to create and manage collaborative media workflows, has upgraded the existing storage network at K-State Athletics, Inc. with more facilities and cloud synchronization. The installation was completed in association with US channel partner, Alpha.
K-State Athletics, as part of Kansas State University, has become one of the forefront collegiate athletic programs in the country, coming off a 2022 Big 12 Football Championship and an Elite Eight NCAA Men’s Basketball Tournament appearance. K-StateHD.TV, the official video department of K-State Athletics, provides comprehensive linear, web, and social coverage of all 16 men’s and women’s sports activities, as well as providing elements and production for third-party media companies from across the nation.
Since 2016, K-StateHD.TV’s broadcast and video board control rooms have used shared storage from EditShare. Now, as part of a major expansion of its capabilities, K-State Athletics has greatly expanded and upgraded the server network for K-StateHD.TV.
“We have been very pleased with the stability of the EditShare servers we have been using since 2013,” said Andy Liebsch, Director of Video Services at K-State Athletics. “As we looked to the future, we wanted to make sure our servers were equipped to handle our increasing storage needs. We also wanted to provide a more robust solution for legacy content and backup. Alpha and EditShare provided the solution, and a seamless integration and transition program.”
The new installation adds both online and nearline storage on site, and it now provides for storage and backup in the cloud, using EditShare FLEX Cloud Sync. Also installed as part of the upgrade were additional servers for the EditShare FLOW asset management database, which has opened up automated ingest and media acquisition.
Darren Whitten, senior account executive at Alpha, added “This is a long-standing and growing relationship. The people at K-State have benefited from the flexibility and stability of EditShare over a period of many years, and we have kept them informed about the continuing developments, including the ease of adding cloud for backup and archiving through FLEX. Downtime is also a challenge in the crowded college sports calendar, so the fact that we could get in at the right time and install the new hardware quickly was also a great selling point.”
Said Bacho, CRO at EditShare said “As well as showing how our products fit seamlessly into modern workflows, this project also shows the benefits of our comprehensive distribution channel. Darren and his colleagues at Alpha stay in close touch with the team at K-State, so they understand what the college needs to achieve. That means we can roll out the right solution at the right time.”
The upgraded and enhanced storage network went online in August 2023.
For further information on all EditShare solutions, please visit the website at www.editshare.com
EditShare is a technology leader that enables collaborative media workflows on-premise, in the cloud, or in a hybrid configuration. With customer and partner success at the heart of EditShare’s core values, our open software solutions and robust APIs improve workflow collaboration and third-party integrations across the entire production chain, ensuring a world-class experience that is second to none. The high-performance software lineup includes media optimized shared storage management, archiving and backup, and media management, all supported with open APIs for extensible integration.
EditShare’s cloud-enabled remote editing and project management technology was recently recognized by the National Academy of Television Arts and Sciences (NATAS) with a prestigious 2021 Emmy® Award for Technology and Engineering.
EditShare adds to AWS expertise after recently joining the AWS ISV Accelerate program
Boston, MA – August 24, 2023– EditShare®, the technology leader that enables storytellers to create and manage collaborative media workflows, continues to demonstrate the strength of its offering in cloud and hybrid solutions, with large numbers of successful client systems in use. This continuing success has led EditShare to achieve Amazon Web Service (AWS) Media & Entertainment Competency status.
EditShare joined the AWS Independent Software Vendor (ISV) Accelerate Program a year ago, which affirmed its success in delivering practical cloud storage solutions. Achieving AWS Media & Entertainment Competency status further solidifies that the company follows architectural and operational best practices, is being actively used by customers in product environments, and customers advocate for the solution.
“This is another great accolade for our technical and applications teams,” said Stephen Tallamy, CTO of EditShare. “What it tells potential users is that we will deliver a solution that meets their operational requirements, makes optimal use of the cloud environment, and will be secure and resilient. With EditShare FLEX, our award-winning cloud technology, has reached a new level of maturity and adoption of media workflows that unlock the benefits of AWS services and applications tailored for media professionals,” Tallamy continued. “Post houses, production companies, broadcasters and creative agencies have realized that, by combining on premises and cloud technology, they can deliver real value to their clients and into their programs, while achieving operational savings through remote working and distributed workflows.
“This additional recognition from AWS means we are at the cutting edge of cloud and hybrid systems architecture. We look forward to continued growth in delivered systems around the world, and an ever-strengthening bond with our colleagues and peers at AWS,” said Tallamy.
The AWS Media & Entertainment Competency designation is the way to differentiate AWS Partners that have engineered their solutions and demonstrated the ability to deploy and operationalize these solutions repeatedly, at scale. Finally, and most importantly, they have a list of customers that have successfully deployed the solution on AWS.
AWS is enabling scalable, flexible, and cost-effective solutions from startups to global enterprises. To support the seamless integration and deployment of these solutions, AWS established the AWS Competency Program to help customers identify AWS Partners with deep industry experience and expertise.
EditShare will be showcasing it’s FLEX Cloud Solutions at the upcoming IBC Exhibition in Amsterdam, Hall 7, Booth A35 and also on the AWS booth Hall 5, Booth C90.
EditShare is a technology leader that enables collaborative media workflows on-premise, in the cloud, or in a hybrid configuration. With customer and partner success at the heart of EditShare’s core values, our open software solutions and robust APIs improve workflow collaboration and third-party integrations across the entire production chain, ensuring a world-class experience that is second to none. The high-performance software lineup includes media optimized shared storage management, archiving and backup, and media management, all supported with open APIs for extensible integration.
EditShare’s cloud-enabled remote editing and project management technology was recently recognized by the National Academy of Television Arts and Sciences (NATAS) with a prestigious 2021 Emmy® Award for Technology and Engineering.
In the heart of the world’s media capital, NAB Show New York is your ticket to all the people and products fueling the broadcast, media and entertainment industry. Actionable insights. Critical skills. Everything you need to level up. Your career. Your projects. Your workflows. It’s the perfect place to connect with your peers and the pros, and walk away with ready-to-implement solutions.
Like many of you, I’m taking a big breath following an exciting week in Vegas for this year’s National Association of Broadcasters (NAB) conference. As always, NAB provided a unique opportunity for us to connect with industry experts, showcase our latest products, get together as a globally-distributed team, and gather valuable feedback from our esteemed customers and partners. It was a great show – and we enjoyed seeing everyone who made the trip to our booth.
A few key themes seemed to dominate conversations during the show – this is what I noticed that kept coming up at NAB:
Collaborative Workflows: The importance of collaborative workflows in the media and entertainment industry has never been more evident. At NAB, we highlighted our latest innovations in collaborative workflows and shared storage solutions. Our new features, such as universal project sharing, enhanced metadata management, multi-site support and remote editing capabilities, were met with overwhelming positive feedback. We are proud to continue our commitment to providing cutting-edge collaborative tools that streamline media production workflows and foster creativity among teams. We continue to drive forward our strategy of creating amazing everywhere.
Hybrid Cloud-Based Solutions: As our CTO, Stephen Tallamy puts it, “everything seems destined for the cloud… eventually.” But the pace and sequencing of that move is different for every team. That’s still true here in 2023. While some teams are dipping their toes in the water, others are ready to take the plunge but aren’t quite ready to commit to moving all of their workflow to AWS just yet. As a provider of cloud-based solutions, we want to support customers who are ready to start their cloud journey while also acknowledging that the right first step looks different for every team.
At NAB, we showcased our latest advancements in hybrid cloud-based editing, media management, and storage solutions. Our hybrid cloud offerings give customers the flexibility, scalability, and cost-efficiency they need to meet the evolving demands of modern media production – sometimes that means a mix of on-prem and cloud, both in storage and media asset management. We’re excited about the possibilities that hybrid cloud-based technologies bring to the industry, and we’re committed to expanding our solutions to help customers stay ahead of the curve. If you’re thinking about a potential hybrid cloud strategy, we have more examples than ever about ‘what good looks like’ that we’d be happy to share.
We were also surprised by the number of those who have multiple EditShare deployments and are interested in connecting those workflows to create global efficiencies. This is an area where we are innovating and making investments, and we’re pleased that these investments were validated by the customers we spoke with. We’re going to continue investing here – check out our CTO, Stephen Tallamy, discussing our thinking on where hybrid is headed from the NAB floor here.
AI-Driven Media Management: Artificial intelligence (AI) has reached peak hype status, but it’s also transforming the way media assets are managed and monetized. At NAB, we demonstrated our latest AI-driven media management tools that leverage machine learning and automation to streamline media workflows, enhance search capabilities, and optimize media asset organization. Our customers were impressed with the increased efficiency and productivity that our AI-powered solutions bring to their operations.
While I was at NAB I also participated in the SET Future of Broadcast panel. Fernando Bittencort, former CTO of Globo moderated the panel. He kicked off the panel by reading the response he got when he asked ChatGPT “What is the future of Broadcast?”. We can debate the quality of ChatGPT’s answer to his question, but the fact that this is even possible should cause us to stop and recognize two things: (1) The world has changed, and (2) our industry is not exempt. The possibilities for what it can do – from search ability to documentation to customer support to how we test our products – the limit of how we apply AI and machine-learning technology to the problems media creators face. And I’ll leave it to smarter guys than me to talk about the limits and governance that should be placed on it.
The most encouraging part of NAB? Our industry is back. We had 120 channel partners in attendance from all around the world. We had more than double the product demos vs. 2022. Leads and opportunities coming out of the show were also up. Things are moving in the right direction.
As we reflect on this year’s NAB conference, we are energized by the opportunities and challenges that lie ahead. We remain committed to our mission of Creating Amazing Everywhere by empowering media professionals to create, collaborate on, and deliver exceptional content.
Thank you for your continued support of EditShare. We look forward to spending more time together in 2023.
Technology has the ability to shape the way we work, sometimes for the better, sometimes for the worse. With the introduction of new technology, such as cloud-enabled editorial tools, it can be an opportunity to consider a better way of working.
The Evolution of Video Workflows: From Bespoke Hardware to Cloud Operations
It is worth reminding ourselves that up until maybe 10 years ago, all the equipment we needed for media production depended upon bespoke hardware. You bought a box to do a job, and your workflows were defined by the boxes you owned and how you connected them together. That applied whether you were shooting in the field, in the studio, or in post.
The twin-pronged revolution came when processing power developed to be able to handle video in real time, and when standards were established to share content as data files, replacing SDI (which of course also required bespoke hardware). By opening the option to use standard hardware and open standards, video workflows became more accessible and the ability to process video in software made these workflows more flexible.
Virtualizing Post Tools: The Benefits of Cloud Editing
The next step was to virtualize the software, and build systems on microservices. In simple terms, we have moved from connecting boxes that we happen to have into assembling the precise functionality we need, in precisely the order we need. With the infinite scalability of the cloud, the architecture can flex to do what we want without the requirement for large capital investment.
And that is why we have the opportunity to take a completely fresh approach. We need to decide what it is we are actually trying to achieve, and how best to do it.
Take editing, for example. Online editing has meant a largish room in a post house, with room for clients to sit around. That costs a lot in real estate, and power, and catering, and security, on top of the salary for a top editor and the cost of the equipment.
It is the way we have always done it, because it was the only way we could make it work. But if we are starting with a blank sheet of paper, is it the best way?
Collaborating Remotely: Enhancing Productivity and Saving Time and Money
At EditShare we talk a lot about how post tools, like editing, can be virtualized alongside the storage network and asset management platform. These are the industry standard tools that editors expect: tools from Avid, Adobe, DaVinci and others. With remote desktop access technology such as PCoverIP, the editor will work exactly the way they are used to, whether the processing and storage is in the machine room in the basement or in an AWS data centre hundreds or thousands of kilometres away.
The logical extension of that is that the editor doesn’t have to be in the expensive edit suite in the city centre post house. They can be anywhere which is convenient for them. The idea of editing high-value content on someone’s kitchen table has always been a security nightmare, but with cloud editing the video never leaves the central, controlled environment in the cloud.
But of course an editor rarely works in complete isolation. Producers and clients want to know what is going on, and directors may well want creative input. That is why the expensive edit suites have large couches for all these collaborators. And having everyone in the room may be right for some projects.
But for others, producers, directors and other collaborators will need to understand progress and approve material, without watching the whole process. With cloud-based tools it is easy for remote contributors to securely access proxy versions of rushes and cuts for comment. . If you need real time collaboration, there is no reason why you cannot use Zoom as the communication tool.
That saves time for producers and the rest, who are not sitting around while the dull parts of the job happen. They focus their attention where it matters most. And they save time and money by not travelling to the post house.
Balancing Work and Life: The Importance of Staff Welfare in Cloud Operations
The travel point is becoming increasingly important. Commuting every day, only to sit alone in a darkened room until late into the evening to meet a deadline can be demotivating and sap creativity and productivity. Connecting with people in person undoubtedly improves a quality of life, so it’s a balance of travelling when it counts. With the ability to start work in one location and continue somewhere else helps address work/life balance whilst still keeping to commitments. .
The cloud could, and should, be transformative for video creatives. It should be boosting staff welfare, business economics, and creative collaboration. That is why it is important to draw up a list of what is important to your facility, and fit the technology around it.
Want to find out more? click here to book a demo, or a chat with your local EditShare team member.
When you’re in a business like EditShare, the start of a new year means the time to think about what is going to be important in the coming 12 months. What are users going to talk about, what capabilities are they going to need, how will they challenge us?
Here is my view: this is going to be the year that hybrid production comes to maturity. Hybrid in the sense that it will be part on location, part remote; part using traditional tools onsite and part in the cloud.
Why 2023?
Before I explain why I think it is going to be important, let me just say why 2023 is the year when it is going to happen.
In media, we have a well-established four year cycle, driven by external forces, mainly sport. In 2024 and every four years from then on we have the Olympics (and a US presidential election). In 2026 and every four years we have the Winter Olympics plus the FIFA World Cup. In 2025 we have the European football championships. But in the other year of the four year cycle – like 2023 – we do not have any big events. So we have time to think, to develop sensible plans.
Think about this: there is no one size fits all post production workflow. If you are making a nature documentary you may be accumulating footage over years; but investigative journalism might be shooting almost up to the time of transmission. Movies will allow months for post production; sports broadcasters will want a fresh highlights package every time there is a break in play.
If you are planning a major sports event like the Olympics, or a major location-shot reality show that needs daily coverage, do you want to ship your post production team off to the location – where you will have to build facilities and pay for food and accommodation – or do you want to keep them back at base where they have set up their rooms just as they like them, and they know the quickest route to the best coffee shops?
Fast connectivity has changed everything
There are no right answers to any of these questions. But what has happened is that we have built workflows because, in the past, they were the only way that the technology allowed us to work. Now, thanks to fast connectivity around the world, we can take a step back and decide what is the best way to work on each individual project.
The cloud, of course, is central to all of this. That is not to say that it is compulsory: there will be plenty of workflows where traditional, in-place post is the best solution. The major nature documentary series I talked about earlier is a good example: getting all the content to a post facility for editing and finishing at a considered pace is probably the way to go (although you might want a security archive in AWS S3).
But if you do put all your content in the cloud, then you can access it from anywhere. You can call up processing resources when you need them, for instance for batch creation of proxies, or to do large-scale transcoding.
The real transformative technology, though, is cloud editing. All your media is in the cloud, as is all the metadata. With EditShare FLEX, you can host the edit software – whichever platform is your preference – within the storage network. If the post-production storage network is in the cloud, so too is your edit software. Remote desktop technologies like PC-over-IP (PCoIP) means you have the look and feel of a traditional edit suite, but it is all happening at some distant location.
You can access huge resources without the cost or time of moving large amounts of content. With good, automated proxy generation you can work with even a modest broadband connection.
Cloud editing is not for everyone, or for every project. That is not the point. What it does is open up new avenues and new workflows. You can take a step back and decide what is the best way for you to work on this particular project: what is best for staff welfare, for business economics, and for creative collaboration. Workflows your way.
The return of conferences and exhibitions in 2022 has finally given us all the opportunity to sit down and talk to industry professionals from around the world to discuss what’s working and where the current challenges lie.
Many of the conversations I’ve had at these events relate to the industry hot topic at the moment: remote production. This topic takes on many forms depending on the needs of the production and so to tackle them in a single blog would be ambitious (for me to write and for you to read). So instead, I thought I would cover a more specific scenario to show the sort of challenges I’ve heard and illustrate some of the techniques that can be applied to other scenarios.
Take for example a production company responsible for a popular reality TV show. Let’s say it’s set, and shot, in the south of France, although the production company itself is based in Paris, 500km to the north.
Like all reality shows, it generates a huge amount of content from many cameras running non-stop. It also has an extremely fast turnaround, with audiences expecting high production values in programs reflecting the action that took place on site within the previous few hours.
To meet these two requirements, the production company could have set up a large server network on site. Let’s explore some of the implications of this and what alternatives could be used to improve the workflow.
On-Site Production Challenges
In a single storage network scenario the program would have to base a team of editors at the location. This would add substantially to the production budget: these editors, edit assistants and edit producers would need accommodation and food over the months that the program was in production. Space would have to be rented to house the edit suites. Travel costs would be high because editors may not want to be away from home for extended periods of time, therefore they would be constantly rotated in and out.
What the production company needs is the ability to edit story packages, and packages into programs, within the facilities they already have in Paris (close to the homes and favorite restaurants of the editors and producers). However, the content is hundreds of kilometers away.
Bring On The Proxy
I’ve written before about how you should embrace the proxy. When content is ingested into EditShare storage nodes it can automatically generate a proxy, at a bitrate determined by you, but small enough to be regarded as portable.
This means that users anywhere with the right privileges can log in, view the proxies, add comments if necessary, and manage the content. In this application, producers responsible for each story strand could log in, from Paris for example, whether from a computer or tablet, and review all the footage available. They could very quickly identify what material to use and drag it into an appropriate bin. This can all happen in a web browser using the FLOW media asset management system. We are nowhere near an edit workstation yet.
An edit assistant could then go through the selected sequences for the story and set up the bin structure for the editor. Again, this is still in a web browser, at any location, using the proxy.
When everything is ready, the relevant clips are loaded into the edit software. We are completely agnostic: we can preload bins and projects into Adobe® Premiere® Pro, Avid Media Composer and Da Vinci Resolve. The editor can start cutting straight away.
Stay In Sync
With EditShare EFS we recently introduced a new feature called Swift Sync. This is designed to synchronize content between multiple locations. It incorporates file acceleration which can move media files, over a leased line or a VPN tunnel, as much as ten times faster than Rsync.
It also is extremely flexible in what it synchronizes. In an application like the reality show example, there may still be too much raw content to reliably move, even after the selections have been made. We have smart segmentation in mind during this process as it’s not necessary to synchronize absolutely everything. The key is to synchronize what’s required, automate and optimize. So the editor can cut on the proxies, and only when the story is complete, will Swift Sync move the required clips with handles. It can even conform the edit in the server node at the location and just move the finished story as one file.
Savings Abound
This is the architecture that can deliver huge operational savings for the reality show, while maintaining quality and boosting productivity. The same ideas are applicable for other situations too.
You do not need to have physical storage nodes in both the remote location and back at base. One or both of them could be in the cloud, using EditShare FLEX software and the AWS Backbone to move material as needed.
If you are shooting a drama in 4K Ultra HD, or even higher resolutions using RED cameras, it might even be most efficient and cost-effective to edit using proxies and deliver the selected raw clips back to base on disk drives using FedEx.
At EditShare we see our mission as supporting producers to create amazing everywhere. Proxy workflows are a practical and very flexible way of achieving that.
Want to find out more? click here to book a demo, or a chat with your local EditShare team member.
Shared storage environments are critical to the successful operation of all modern-day education institutions. At the top of that tree are some of Australia’s oldest and most prestigious universities, including the University of Sydney and the University of Technology Sydney (UTS), both of whom use EditShare storage solutions supplied by Digistor.
EditShare shared storage solutions in use at the University of Sydney
The University of Sydney’s Manager, Media Production, Deputy Vice-Chancellor Indigenous Strategy and Services, Tom Cavdarovski, explained, “Our media team has grown over the last few years and our postproduction workflow has changed to meet the growing demands. We use EditShare systems and find them particularly suitable for a growing production slate.”
The University of Sydney’s Manager, Media Production, Deputy Vice-Chancellor Indigenous Strategy and Services, Tom Cavdarovski
UTS’ Client Computing Manager Faculty of Arts and Social Sciences, Simon Prowse, agreed saying, “The Faculty of Arts and Social Sciences (FASS) runs courses in communications including journalism and production. These courses include sound production, film and animation. In the past FASS used a different shared storage solution but decided to move to a more open environment for production workflows. UTS has now been using an EditShare solution for around 9 years has recently acquired new EFS storage and FLOW licences for student off site usage for editing.”
EditShare shared storage solutions in use at the University of Technology Sydney
For the University of Sydney, the requirements were centred around a secured, robust, 4K editing storage solution with Cavdarovski adding, “We have huge amounts of 4K data that needs to be accessed across multiple editors. Our content is captured on country with drones, C300 and DSLR cameras. We also produce multicamera live stream events, so having a post-production system workflow that integrates with creating pre-packaged content, is an important part of our workflow.”
In UTS’ case the university required a sizeable amount of storage capacity and bandwidth to handle up to 60 concurrent connections for editing from personal and group project spaces on the server.
Prowse said, “This time around we chose 10GB Ethernet with 20GB link aggregation to a 10GB switch. Since COVID there is more need for flexibility and a need for more students to work remotely. We also have students studying remotely overseas so the need for working from the server remotely was important. As most of the editing is done with Adobe, the Premier plugin was desirable.”
UTS’ Client Computing Manager Faculty of Arts and Social Sciences, Simon Prowse
It’s clear for both universities that the EditShare solutions for education shared storage environments are a vital part of their courses and day-to-day operations as Cavdarovski explained, “The EditShare system Digistor installed has RAID redundancy, integrates with existing university infrastructure and allows our editors to work in various 4K resolutions seamlessly.”
Prowse echoed this sentiment saying, “It’s a flexible arrangement for constantly changing circumstances. Openness and flexibility of the solution is important and EditShare meets this perfectly. Courses and requirements change and we can easily add capacity, bandwidth or capabilities with plugins.”
The University of Sydney uses a 98TB EFS 300 system with 8 clients PC connections. These are both Mac and Windows computers, all connected via 10Gb network ethernet connections and all editors are able to open Adobe Creative Cloud projects at any time.
EditShare’s cloud platform EditShare FLEX has evolved to a suite of turnkey, ready-to-go solutions for remote collaborative workflows and video editing in the cloud. Users of EditShare FLEX choose the modules they need – including edit in the cloud and multi-premises synchronisation – and implement them in their own cloud account. This gives users an easy opportunity to implement cloud solutions which education institutions often consider the best way to utilise a combination of on-premise and cloud storage and editing.
There are many on premises and cloud solutions at UTS. They run an animation render farm for the faculty that is on server blades in the data centre and processing of jobs is distributed to around 300 lab computers. UTS also has an HPC environment as well an Isilon which is widely used across the university. The faculty EditShare EFS can backup to Isilon which represents a cost saving to leverage other products in the EditShare solution.
Workflows are obviously at the core of these solutions as Cavdarovski explained, “We have a mix of projects throughout the year, some are quick turnaround with a single producer and editor, while others are 12 months in post and up 50 individual videos with shared resources across multiple editors.”
Prowse added, “We keep our workflows reasonably basic. EditShare is the file server for students’ media work. The workflows involve group spaces for group projects and these have a set folder structure. Students also have personal scratch space with quotas. Class materials are in spaces accessible to students from either the lab and suite facilities or on their BYO devices accessible from home via the client and VPN or on campus.”
A UTS shared storage workflow may also involve students borrowing faculty sound, lighting and video equipment and doing a shoot. They will then upload content to EditShare via a lab or studio computer.
It’s clear that both Cavdarovski and Prowse are big fans of the EditShare solutions for education shared storage environments they purchase from Digistor as Cavdarovski highlighted, “We have used smaller storage solutions in the past, but found they are very limited and lacked performance beyond one or two concurrent users compared to the EditShare solution we now have. We really like the FLOW application that we purchased as part of the EditShare package. It allows the team of editors to log content easily, accurately and create proxies for working offline and working flexibly. FLOW helps to ensure that we can always store, retrieve and broadcast the appropriate content.”
Whilst Prowse said, “We feel that EditShare has a flexible and futureproofed product that is not proprietary or rigid. It’s modular so we are not paying for capabilities that we do not need now but have the option to add capability, licences or services going forward. Lots of storage capacity in the EditShare solution is important and being on premise, we can leverage the fast network for connections, transfers and backup.”
When asked to explain what edge using the EditShare solutions Digistor provided gives their university Tom Cavdarovski concluded, “The EditShare system enables our team to work more efficiently, reducing menial tasks and streamlining complex workflows. This frees the team up to work in more creative and innovative space, which in this industry, is a what customers and partners want from content producers. Our experience with Digistor has always been very professional, I have been purchasing postproduction systems for over 20 years and they understand how to work with clients who work in large complex organisations, like a university.”
Whilst Simon Prowse concluded, “We have had excellent experiences with both EditShare and Digistor. This is our third renewal of hardware over 9 years and the sales and project process has been smooth each time. Any support issues are dealt with promptly and professionally too. My IT team has to be across a huge amount of knowledge to effectively manage all of the moving parts in this complex university environment. Hence, we need to rely on good support for specialised solutions, applications and facilities. Thus, the great confidence we have in Digistor and EditShare is a very important factor for us.”
EditShare is a technology leader that enables collaborative media workflows on-premise, in the cloud, or in a hybrid configuration. With customer and partner success at the heart of EditShare’s core values, our open software solutions and robust APIs improve workflow collaboration and third-party integrations across the entire production chain, ensuring a world-class experience that is second to none. The high-performance software lineup includes media optimized shared storage management, archiving and backup, and media management, all supported with open APIs for extensible integration.
EditShare’s cloud-enabled remote editing and project management technology was recently recognized by the National Academy of Television Arts and Sciences (NATAS) with a prestigious 2021 Emmy® Award for Technology and Engineering.
About Digistor
Managing Director Andrew Mooney founded Digistor in 1990. His experience designing, installing, and maintaining services for broadcasters and post-production houses had made it clear to him that the industry needed a group of experts who could look at things objectively. The result is a company that for over 30 years has been providing elegant solutions to leading organisations in the most technically demanding application areas. Digistor provides solutions for the creation, management, storage, and distribution of digital assets. From post-facilities to broadcast operations, from single studios to collaborative, networked environments operating across a room or across the world, Digistor empowers its customers through smarter technology and service solutions.
For more information on Digistor, please visit the website at www.digistor.com.au
Brazilian broadcaster adds storage, control and cloud sync
Boston, MA, November 29, 2022 – EditShare®, the technology leader that enables storytellers to create and manage collaborative media workflows, has greatly extended its storage and content management system at Rede Evangelizar é Preciso, the religious broadcaster in Brazil. As well as boosting operational performance, the new installation also allows Rede Evangelizar to migrate its archive from LTO tapes to the cloud.
Rede Evangelizar, under the guidance of Father Reginaldo Manzotti, was launched in 2011, based in the city of Curitiba, south-west of São Paulo. As its success continued to grow, it extended its in-house production and post facilities, adding its first EditShare servers in 2017.
This major expansion, designed and implemented by EditShare’s local system integration partner CIS Group, includes a FLOW Ingest server and EFS online storage, as well as FLOW asset management, metadata controller and additional production nodes. The integral FLEX Cloud Sync software applications ensure that all media is securely backed up, with archives and restore functionality in the Amazon Web Services (AWS) cloud.
“We had found our original EditShare installation to be a very powerful tool for us,” said Renan Borges, post production coordinator at Rede Evangelizar é Preciso. “As our productions grew in size and complexity, we needed to boost our operational performance and allow more users access to our content. EditShare and CIS Group readily understood our requirements, and proposed an excellent technical solution, support for the migration, and the ability to move our archive to the cloud which gives us lifecycle cost savings as well as easier operations.”
Said Bacho, Chief Revenue Officer at EditShare added, “CIS Group was able to put together a very attractive package, including long-term licensing and continuing support, it meant we could deliver all the functionality Rede Evangelizar needed, at the right price point, and help them achieve the operational streamlining they sought.”
“It’s important to see that the partnership between CIS and EditShare has brought a level of trust to our customers. With the upgrade of Rede Evangelizar’s system to the new EditShare FLOW tools, we will optimize the end-to-end workflow, offer greater productivity and efficiency, and also guarantee greater production quality,” said Alberto Santana, Territory Account Manager at CIS Group. The extensions to the EditShare architecture at Rede Evangelizar are being installed at the end of 2022, and will go live in the first quarter of 2023.
EditShare is a technology leader that enables collaborative media workflows on-premise, in the cloud, or in a hybrid configuration. With customer and partner success at the heart of EditShare’s core values, our open software solutions and robust APIs improve workflow collaboration and third-party integrations across the entire production chain, ensuring a world-class experience that is second to none. The high-performance software lineup includes media optimized shared storage management, archiving and backup, and media management, all supported with open APIs for extensible integration.
EditShare’s cloud-enabled remote editing and project management technology was recently recognized by the National Academy of Television Arts and Sciences (NATAS) with a prestigious 2021 Emmy® Award for Technology and Engineering.
About CIS Group
Since 1988, CIS Group has been a Media Technology solutions provider & systems integrator with core competencies across the professional services spectrum. Over the years our scope has evolved to include: Consulting & Workflow Design, Integration, Full System Commissioning & Installation, Technical & Operational Training, Maintenance & Support, DevOps, and Managed Services. Focused exclusively on the MediaTech space, CIS has delivered countless solutions aimed at a variety of use cases throughout the Content Supply Chain – including live production, post-production, archiving, and distribution. In relying on CIS’s expertise, our clients have been able to outsource a lot of their technical challenges, and focus their energy and resources on how the technology we implement ultimately delivers business value and creative value to their organizations. Enabling our customers to achieve their desired business goals and operational goals by effectively implementing our solutions is what we mean when we say that customer success is in our DNA.