EditShare for Media Teams: Built to Support High-Pressure Workflows
Traditional NAS systems are general purpose and often struggle with the unique demands of high-resolution media workflows. That’s why EditShare is a game-changer for media teams. EditShare EFS is purpose-built for media and optimized for throughput, ensuring consistent performance even under heavy, multi-user access. It offers scalable architecture, media spaces for isolating projects or departments, granular user and group-level permissions, and integrated project management support for leading NLEs. With built-in Quality of Service (QoS), EFS prioritizes media streams to maintain real-time playback and editorial integrity even during peak usage. Plus it provides FLOW core, an unlimited user seat asset management platform
Is EditShare a cost-effective solution for media workflows
Yes. EditShare offers one of the most affordable, high-availability shared storage systems on the market today. It delivers professional-grade performance at a price point that makes it accessible for media teams working in both boutique post houses and enterprise size studios. The modular pricing also ensures you only pay for what you need and can scale as your workflow grows.
What kind of support does EditShare offer?
EditShare provides follow-the-sun support which means no matter where you are in the world, a technical expert is available to assist 24/7. This global support model ensures that critical workflows and operations keep rolling.
How easy is FLOW to use for media teams
FLOW has been fully redesigned to streamline media management with a unified user interface. Previously separated UIs are now combined into one modern, easy-to-navigate platform. Teams can search, index, tag , and access assets across storage tiers with a minimal training curve.
Blackmagic Design DaVinci Resolve Workflow Solutions with EditShare
How do I collaborate in DaVinci Resolve without breaking projects or media
With EditShare EFS shared storage and FLOW media management, Resolve teams can collaborate in real time without creating duplicate files or project conflicts. Shared access, versioning, and metadata tracking are built-in with no more “who has the latest cut” panic.
Can I use shared storage with DaVinci Resolve across my entire team
Yes. EditShare EFS is optimized for high-throughput Blackmagic Design DaVinci Resolve workflows. Whether you are working in editorial, color grading, or VFX, you can stream directly from shared storage 4K and beyond with no lag or media relinking drama.
What is the best way to create and manage proxies for Resolve in a team workflow?
Use FLOW to automate proxy creation at ingest. It creates lightweight proxies in the background, keeps them synced with your originals, and ensures seamless relink in Resolve. Editors get speed and finishers get quality. You can also use Resolve to create ProRes proxies that FLOW can read.
How can I keep Resolve projects safe from accidental overwrites or deletions?
EditShare offers advanced project control as the Resolve database is hosted on EFS nodes. FLOW also logs user access and changes providing full visibility across the production pipeline.
Is there a better way to archive and restore DaVinci Resolve projects
Absolutely. FLOW preserves folder structure, metadata, and file paths during archive and restore. When you bring a project back, Resolve knows exactly where everything is with no broken links and no media missing.
Can producers review or approve clips without touching Resolve
Yes. FLOW’s web interface empowers internal producers to review comments and approve assets from any browser, without disrupting the editorial process. Editors stay in DaVinci and producers stay out of trouble!
Can I use DaVinci Resolve in a hybrid or remote workflow
EditShare supports hybrid and remote teams with centralized storage access and web-based asset management. Whether your team is across town or across time zones, everyone works from the latest asset versions.
How do I enable external review and approval workflows in DaVinci Resolve
MediaSilo fully supports review and approvals within DaVinci Resolve. Editors can securely upload versions, receive timestamped feedback, and apply changes without leaving their environment. Integrated with Mediasilo, this creates a tight pipeline from cut to client approval.
Adobe Premiere and After Effects Workflow Solutions with EditShare
How can my Adobe Premiere team collaborate in real time without file chaos
With EditShare EFS and FLOW editors can work from the same storage pool using shared bins locked sequences and live project tracking. No more emailing timelines or overwriting someone’s cut. Take control of your media using the integrated Editshare Adobe Panel.
What is the best shared storage for Adobe Premiere Pro and After Effects
EditShare EFS is purpose-built for media-heavy Adobe workflows. It delivers high-speed low latency access for video audio and effects teams whether you are working with HD or multicam 8K.
Can I automate ingest tagging and proxy generation for Adobe workflows
Yes. FLOW automates your entire pre-edit workflow including ingest proxy creation file naming metadata tagging and AI-based scene recognition. Your team starts cutting faster and spends less time wrangling files.
How can I manage and track creative assets across departments
FLOW gives you a central hub to manage tag search and monitor all assets. Producers editors and motion designers see the same content with version control access logs and approvals all in one place.
What is the best way to use Adobe apps in hybrid or remote workflows
EditShare’s hybrid-ready setup enables editors to work locally or in the cloud with seamless access to centralized media via the integrated Adobe panel. From field ingest to remote review the whole pipeline just works no matter where your team is.
How do I archive Adobe Premiere projects without losing media links
FLOW keeps all paths and project metadata intact so when you restore a Premiere project it reconnects automatically to its media. No relinking marathon and no missing files.
Can non-editors like clients or producers preview and approve footage
Yes, they can use FLOW’s secure browser-based access to review comments and approve content from anywhere. It removes friction between production and post and eliminates the endless email feedback loop.
Can I manage review and approval workflows directly in Adobe Premiere Pro
Yes. MediaSilo is natively supported in Adobe Premiere Pro allowing editors to send sequences for review receive comments in context and keep all feedback synced to the timeline. Paired with EditShare FLOW and EFS you get end-to-end visibility from ingest to sign off.
Avid Media Composer Workflow Solutions with EditShare
Why is Avid project sharing so rigid and difficult to scale
Avid’s legacy infrastructure often required centralized ISIS or Nexis storage, with tight project structure rules and rigid media management. EditShare replicates Avid-style bin locking and project sharing but on an open platform, making it easier to scale and integrate into modern workflows.
Can I use EditShare as a full alternative to Avid Nexis
Yes. EditShare EFS provides bin locking, project sharing, and high bandwidth access for Avid editors without needing Nexis. You get all the benefits of a native Avid workflow with the flexibility of an open, scalable storage system.
How can I simplify ingest and transcoding for Avid workflows
FLOW automates ingest, transcoding to DNxHD or DNxHR, and asset tagging so your media is ready to edit on arrival. No more manual wrangling or waiting on assistant editors to prep footage.
How can I use Avid in a hybrid or remote editing setup
With EditShare, Avid editors can work remotely with proxy workflows, with integrated VPN access to EFS shared storage,.FLOW ensures media is visible and searchable across the team without breaking Avid’s project model.
What if my team needs to work with other NLEs alongside Avid
EditShare supports multiple workflows. You can work in Avid, Premiere, Resolve, and more using the same shared media. FLOW tracks all assets and metadata across platforms so nothing gets lost in translation.
Can producers and clients review Avid sequences without needing Media Composer?
Yes. With FLOW and MediaSilo, editors can publish cuts for review with timestamped feedback. Producers comment in a browser and editors get direct, actionable notes. No exports, no confusion.
How do I secure and track changes in Avid projects
EditShare includes full audit logging and version tracking. You can see who accessed which project, when changes were made, and roll back versions if needed. It’s professional grade control without the overhead.
Does EditShare support review and approval workflows for Avid
Yes. MediaSilo integrates with Avid workflows, enabling secure review and approvals.
September 13th, 2024 The Beach House Strandzuid, RAI
Agenda: Join us for breakfast followed by 1 hour highlights & Q&A
Save Your Seat
Description
We’re excited for IBC in September. Join us at the RAI on the 13th, just before the doors open, for breakfast at The Beach House. Catch up with our team and hear exciting updates on all our latest announcements – a great way to kick off the show!
A massive upgrade to throughput is one of the latest innovations from EditShare, set to revolutionize the world of media and entertainment storage.
3x more bandwidth and throughput
Built on our trusted media-aware EditShare file system (EFS), EFS NVMe harnesses the power and speed of NVMe (Non-Volatile Memory Express) drives to deliver a superior storage experience. With three times more bandwidth and throughput compared to traditional SSD storage solutions, which, by definition, were 5-times faster than HDD nodes, EFS NVMe enables creative editors to stay in their creativity zone without any limitations on codec, frame rate or plate size.
Storage specifically for high-end finishing work and file-per-frame workflows
Specifically designed for high-end finishing work and file-per-frame workflows in the post-production and VFX market, EFS NVMe is the perfect fit for creatives who demand the highest level of performance with an added intelligent layer of control over projects, permissions and users who can access and modify the content.
Improvements to the EFS native drivers now allow a single Mac or Windows workstation to read file-per-frame content in excess of 3 GB/sec. This extreme workstation performance, once unheard of for a NAS, means that EFS NVMe is perfect for workflow territory that was previously reserved for only the highest-end SANs or direct attached storage.
Whether you’re working on UHD video projects, complex visual effects or real-time editing tasks, EFS NVMe delivers smooth multi-layer playback and lightning-fast access to your original media assets.
Seamless integration and scalability
What sets EFS NVMe shared storage apart is its seamless integration with the EditShare ecosystem. Existing EditShare storage clusters can easily incorporate EFS NVMe, allowing users to expand their storage capacity and workflow without disruption. Whether you’re a small production house or a large-scale studio, EFS NVMe fits perfectly into an existing EditShare environment, or if you’re starting with EditShare, it will provide a scalable and future-proof storage solution that will meet your needs for years to come.
Technical Specifications/ Hardware Platform
HPE DL380 Gen 11 Hardware (2RU)
Rack mountable HPE 2U server with 24 NVMe disks
Intel 4th Gen Xeon Processor (Sapphire Rapids)
128GB DDR-5 RAM
Operating System (OS) Boot Drives: 2 x M.2 NVMe SSDs, hot-swappable, rear-accessible, hardware RAID-1 mirror protection (1+1)
Storage disks: 24 enterprise-grade read-intensive NVMe drives in 2, 4, 8, or 16 TB capacities. Hot-swappable, front-accessible. One DWPD (Drive Write Per Day) endurance drives. **
Dual HW RAID Controllers, RAID-50
Hot-swappable Power Supplies, Fans, NVMe Media Drives
4 x 1 Gb network ports included + HPE iLO OOB management port
10GBASE-T, 10 GbE SFP+, single & dual 10/25G SFP28, and single & dual 100/50/40G QSFP28 NIC options available
And if you’re headed to NAB, schedule a demo with us in the South Lower Hall at Booth SL8087!
Please complete the form below and we’ll get in touch!
In the ever-changing world of broadcasting, remote projects have transformed the industry. The pandemic showed us what was possible, with production moving from inside studios to live locations and even peoples’ homes, using techniques that may include remote desktop software and cloud platforms such as Zoom and Amazon Web Services (AWS).
Several elements are needed to execute remote broadcasting successfully, including a reliable internet connection, quality broadcast equipment and web-based tools for collaborating on video editing, graphics and more. Broadcasters also face continuously shifting, imminent deadlines, so streamlining workflows and sharing files quickly is imperative. That’s why employing the right collaboration tool is so important.
Why team collaboration is essential for remote broadcasts
Remote broadcasts require capturing massive amounts of audio and video content from remote locations and sending it all to a central facility or studio. The remote production team must collaborate efficiently with that facility to ensure a seamless broadcast.
Digital video transmission enables the delivery of high-quality content and timely updates to their audiences, regardless of the geographical distance between facilities. That’s why having the right equipment is imperative for the success of a remote broadcast.
In this industry, creating and editing content quickly is nonnegotiable. If a single copy of media gets lost or destroyed, finding something else to plug in for that evening’s broadcast in a pinch can cause a frenzy, with producers and editors scrambling to fill the slot. That’s why resilience is essential, along with having alternate media available online at all times. If a producer needs to pivot to a new story at the last minute, they must have access to all the required assets without adding the unnecessary delays of searching for the proper files.
Employing the right video collaboration software can increase your team’s overall efficiency and help establish clear goals. Sharing information quickly and easily saves you the most precious resource available in broadcasting – time. Additionally, when your team sees the results of their work in real-time, it can help boost morale and strengthen the culture.
How MediaSilo accelerates collaboration
MediaSilo’s cloud-based video management and collaboration software is designed to streamline your workflow and video collaboration process. The software provides real-time feedback and file sharing in a secure web-based environment ideal for remote teams.
From a production and post-production standpoint, employing video collaboration software like MediaSilo is an essential ingredient in a remote broadcast team’s success. The tool makes it easy to manage, share, review and present your video projects all in one place. MediaSilo is a creative collaboration HQ that provides the following capabilities:
Asset management
Save time with fast file uploads that allow you to store everything from clips to scripts to project files in one secure location so they are ready to use. Accelerate your team’s creative process with intuitive folder navigation, metadata-rich search and tagging, and flexible user permissions. You’ll also be able to keep your assets current, track changes and update versions as needed.
Streamlined communication
Expedite your review process and make edit requests clear using time-coded comments or on-screen drawings. Brainstorm and collaborate with your entire team, whether in the field or the studio, in real-time with MediaSilo’s cloud-based software (available through the web browser or app). Enable private or password-protected external links—allowing outside collaborators to interact with your team. You can also limit comments to a select user group to keep your information assets confidential.
Showcased content with Spotlight
MediaSilo empowers broadcasters to create bespoke digital experiences that showcase content as intended with customizable templates, pitch decks and microsites. Share access with specific users via password or to a broader audience with open access. Gauge what content gets the most engagement with Insights, the analytics tool that allows you to track activity, viewing location and history of any individual user, file, link or presentation.
Trusted security
Ensure only specific users can access your content with MediaSilo’s password-less login and multi-factor authentication. The most effective theft-deterrent measure is available by placing user-specific SafeStream™ customizable watermarks on your content. You can also generate one-time links to verify user identity, grant secure access to login, and share content securely with private expiration-dated links and role-based user permissions.
Data-driven insights
MediaSilo makes it easy to see your videos’ performance in real time within one central dashboard. You can measure the engagement of your content, review user logs, monitor drop-off points, and more—to see which users and files are the most active. You can also export your data in different formats and track review links to see views, comments, and approvals.
Why broadcast professionals choose MediaSilo
MediaSilo solves many common problems faced by broadcast professionals. Remote broadcasters often encounter unreliable internet upload performance. MediaSilo tracks the progress of your uploads, reports on the speed and recovers the files if your connection is interrupted. Our robust tools for managing user permissions and two-factor authentication mean you never have to worry about gaining secure access to station video and graphic assets.
MediaSilo also helps broadcast professionals with the following:
Organizing, storing and sharing digital media files
Collaboration for vital feedback
Synchronization with your timeline for adequate changes
Managing, sharing, reviewing and presenting video projects
Faster project approvals
Today’s broadcast professionals and post-production teams want the freedom to choose the tools they prefer without compromising the creative process, and that’s where MediaSilo comes in.
Widely known as a go-to platform for post-production professionals in the TV, media and entertainment industries, MediaSilo is used by production companies, broadcasters and content creators worldwide. Providing a centralized hub for media management, collaboration and distribution, MediaSilo streamlines your workflows, accelerates team collaboration and helps you distribute content to the market faster.
MediaSiloallows for easy management of your media files, seamless collaboration for critical feedback, and out-of-the-box synchronization with your timeline for efficient changes. See how MediaSilo is powering modern post-production workflows with a 14-day free trial.
Kim is a seasoned content marketing professional with over 15 years of corporate communications experience. Her sweet spot is with creative writing, both short and long-form, and she has a proven track record working with IBM, Jackson Healthcare, and Walt Disney World, among many others. Kim is also a singer and actor and has been performing on stage and screen since she was a child. She has a great passion for TV and film production and went to school for broadcast journalism.
It’s no secret that Automated Dialogue Replacement (ADR) is not the most revered part of post-production. ADR mixer Greg Crawford jokes that “there are three things people don’t want to do…number one, go to the dentist. Number two, go to the DMV. Number three, do ADR.”
Despite being often shunned or feared due to the perceived complexity of ADR (not to mention the extra work involved), it is a great way to improve audio quality and clean up less-than-perfect dialogue captured during production. Nowadays, the available tools and technologies make it a more viable, easier option than ever before.
A quick recap – what is ADR?
First up, let’s recap on what exactly ADR is. Automated Dialogue Replacement refers to the process of re-recording audio in post-production – typically in a more controlled, quieter setting.
There are a few main reasons why you may want to utilize ADR. These include:
Tech issues. There could have been a problem with the audio captured on set caused by a plane flying overhead or too much bleed-through from another actor’s microphone.
You may want to replace an actor’s vocal performance. This is particularly popular for (but not exclusive to) musicals.
If you’re creating a “TV safe” cut that removes the adult language, for example, ADR is a great way to achieve this.
Creative purposes. From time to time, both actors and directors prefer ADR. There’s a particularly famous example of this: Marlon Brando confessed to mumbling on purpose during his performance in “The Godfather” (1972). He wanted to see the final edit so that he could improve his performance with the full context!
The ADR process today
While the technology has advanced, the principle of ADR is the same. In general, you’ve got two different ways to carry out ADR. First, there’s visual ADR – the process by which an actor listens to a line of dialogue and then aims to match that line of dialogue while watching the performance on screen (with no sound).
Alternatively, you have audio ADR, where the actor will listen to the line of dialogue and recite that dialogue over and over, with the audio recording playing in their headset. It’s agreed that audio ADR may give a slightly better, more accurate result, but these different processes come down to the preference of actor and director.
How to achieve great ADR
Because ADR is recorded in a “clean” environment with no interference, it will most likely feel very jarring and completely wrong if you edit it straight into a scene. Audiences will know almost immediately that this audio was not recorded on set, and it will make for awkward viewing.
Expert ADR mixer Greg Crawford (responsible for ADR on blockbusters including Avengers Infinity War and Spiderman) gave a great interview, shedding light on the process of achieving great ADR.
Ultimately, he always aims to keep as much of the original production performance as possible. Sometimes, his ADR is as nuanced as just pulling a syllable or one word to cover for a moment where there was a rustle of clothing on set. He calls this “surgical ADR.”
However, there are other scenarios where full-blown ADR is called for. Greg discusses the “three Ps” of pitch, performance and placement. He’s constantly looking to match the actor’s ADR pitch and performance with the pitch and performance they gave during production. Alongside this, he’s always looking to match the placement of the microphones on set.
To achieve this:
The same microphones used on set during production are used for ADR
The microphone placement is the same as during production
The room is as large as possible (a smaller room creates more problems with reverb and echo)
The environment reverb is matched
The first three-pointers here are self-explanatory, but the fourth requires a little more work and begins on set.
Matching reverb with Adobe Audition
Reverb is a small detail, but it can make the difference between good ADR and great ADR. Considering you’re already recording room tone anyway, this isn’t too much extra hassle, as the folks at The Film Look expertly demonstrate on YouTube.
ADR recording software to consider
Naturally, when it comes to recording ADR, you’ll need to decide which software you will use for recording, editing and syncing the new dialogue. While the example of Adobe Audition is used above, there are plenty of others to consider:
Pro Tools is a popular, versatile DAW (digital audio workstation) offering plenty of features and plugins for ADR, including Revoice Pro, VocALign, EdiCue and EdiPrompt. You can record multiple takes, edit and refine the dialogue, sync it with video and export in various formats.
Nuendo is another specialized DAW with a dedicated ADR module. Processes such as spotting, cueing, recording, editing and syncing are all simplified here in an easy-to-use interface.
Meanwhile, Fairlight is a DAW integrated into the DaVinci Resolve suite. Its comprehensive ADR toolset enables you to record, edit and sync dialogue, all within the same interface as the video.
ADR recording hardware
Alongside software, there’s hardware. Greg Crawford touches on it briefly in his interview, confirming what you should already know. If you can, use the same microphones as used in production. It will make your job that much easier. When it comes to microphones, here are a few great choices to consider:
The Neumann U87 (mentioned in the interview with Greg)
The Sennheiser MKH 416
The Rode NT1-A
Meanwhile, the quality and compatibility of your hardware will undoubtedly impact the quality of your ADR. You may consider looking at intuitive controllers that adjust sound levels, sync and playback during your ADR session. Here are a few:
Avid S1
Steinberg CC121
Blackmagic Fairlight Desktop Console (great when paired with the Fairlight DAW)
Of course, a great pair of noise-canceling headphones will be needed, too. Popular throughout the industry are:
Beyerdynamic DT 770 Pro
Sony MDR-7506
AKG K240
Remote ADR collaboration tools
Post-covid (and in general, in modern times), it’s not always feasible to get everyone together in the same place at the same time. This is one of the most challenging aspects of ADR – coordinating and communicating with multiple people in different parts of the world and different time zones. Fortunately, there are some great tools out there that can enable you to carry out ADR remotely.
Source Connect effectively takes your studio global, allowing you to stream high-quality audio over the internet and record or monitor your ADR sessions remotely. You can integrate with other DAWs or even video conferencing platforms such as Zoom and Skype.
SessionLinkPRO is a web-based service where you can conduct ADR sessions using your browser and microphone. You’ll find an array of features, including video playback, chat, file transfer and encryption.
Meanwhile, cloud-based ipDTL offers video sync, ISDN bridging, multi-track recording and live streaming.
The future of ADR
In the past few years, AI has been a hot topic of discussion, advancing at a blistering pace and infiltrating just about every part of the filmmaking process. ADR is no exception. What has typically been a long, painstaking process of refinement, requiring many takes and long hours, could soon get a whole lot easier and shorter.
Check out this astonishing example of TrueSync in the movie “Fall” (2022).
Using AI, TrueSync analyses and tracks the performance of Virginia Gardener, recreates her face with a 3D model, removes her original dialogue, and then replaces it flawlessly with language that can take the scene from R-rated to PG13. You just watched the future of ADR.
This example demonstrates a new and exciting way of conducting ADR – one that could save hours of time, as well as money and resources. Lengthy processes in software such as Adobe Audition, where you have to sync up multiple tracks and experiment with impulse response recording files, could be rendered unnecessary. Things could be achieved with a few clicks.
While we’re not quite there yet, it’s clear that lip-synced dubs with custom-made AI-recreated voices could become commonplace in the next five to ten years. TrueSync is not the only example of how AI is starting to make its mark on the ADR space.
Lovo.AI, for example, now offers the ability to clone any voice and create high-quality custom voice content. Similarly, Murf.AI offers the tools to “clone once. Use forever” – a foreboding phrase that would make any SAG-AFTRA member rightly shudder. When you listen to the examples on these sites, they’re not quite there yet. But they are pretty impressive and, in some cases, definitely usable.
Other notable AI technologies doing a similar thing include Respeecher, which uses deep learning and neural networks to transform one voice into another (again, without requiring the original actors). And then there’s Lyrebird, which creates a digital copy of your voice using a few minutes of audio samples. Then, you can generate a totally new dialogue or alter the existing dialogue with different emotions, tones and effects.
The writing is on the wall here. This technology is only going to advance, and as we’ve already seen, the rate of that advance is extremely fast.
Wrapping up
So, that’s the rundown on the state of ADR today and where it’s headed tomorrow. It’s no secret that ADR has often been a laborious, tedious process (remember Greg Crawford’s joke about ADR being one of the only three things people hate to do). However, there are many great tools out there that ensure you can get the job done to the high-quality standards we expect from all big blockbusters.
As we move forward into a new post-production landscape in which AI increasingly dominates, we can expect to see drastic changes to how ADR is conducted in the future. If you told the folks experimenting with ADR in early 1930s Hollywood that one day, ADR may be an almost irrelevant, minuscule aspect of the post-production process, they may have fallen off their chairs.
MediaSiloallows for easy management of your media files, seamless collaboration for critical feedback, and out-of-the-box synchronization with your timeline for efficient changes. See how MediaSilo is powering modern post-production workflows with a 14-day free trial.
Josh is a filmmaker and storyteller based in Indonesia. He is passionate about travel and shares and documents adventures and stories through his films because he is a firm believer that travel is the greatest education tool out there. If you want to do anything in life, the experiences travel offers you can set you up with the perfect foundation on which to succeed.
We had such a great time at the Heineken Experience last year – so we’ve booked it again for this year! On Thursday 14th September we’ll be holding a short meeting followed by a drinks reception in the Koelschip room at the very top of the Heineken Experience. Please join us to hear the latest on what we’ll be doing at the show, have a drink or two and chat with our team.
Please complete the form below and we’ll get in touch!
Show off your creativity by sharing a photo of your LegoTM EditShare Logo on social media (LinkedIn, Twitter or Instagram). Use the hashtag #BuildWithEditShare so we can see your photos – get creative as we’ll be picking out our favorites to be entered into a prize draw.
Terms and Conditions
This competition is open to everyone (apart from EditShare employees), no purchase is necessary.
The prize is $200 worth of LegoTM vouchers
How to Enter Use the hashtag #buildwitheditshare on Twitter, Instagram or Linked In between April 16 and April 30 2023 The winning post will be chosen at random from our favourite photos. To be entered into the competition you must also follow us on twitter or Linked in so that we can direct message you if you’re selected as the winner. If we cannot contact you directly, then a new winner may be selected at random.
Competition Rules for Entrants You can use the hashtag as many times as you like. You can enter the competition between April 16 and April 30 2023, after that date entries will not be included. This competition is open to everyone, including our channel partners and technical partners. Only EditShare employees are not permitted to enter. Entrants grant permission for EditShare to use their social media post for announcing the winner of the competition and for general marketing purposes. Entrants must be 16 or over. EditShare reserves the right to disqualify any entrant and/or winner in their absolute discretion for any reason and without notice.
Winning Entrant The winning entry will be chosen at random from our favourite photos. The winner will be notified after May 1 by direct message The prize is as stated and no alternative will be offered. The decision of EditShare will be final and no correspondence will be entered into. These Competition Rules and this Competition are governed by English law. We reserve the right to remove any entry without prior notice or warning and amend the competition end date and rules at any time.
Disclaimer This promotion is in no way sponsored, endorsed or administered by, or associated with any social media platform