How Cloud Storage is Changing The Face Of Post-Production – And Why You Don’t Want to Fall Behind
Let’s be honest, post-production used to be a nightmare.
Endless stacks of USB hard drives, painfully slow file transfers, off-line on-line workflows , relinking media and that constant sinking feeling when you can’t find the footage you need. Every editor, producer, and creative pro has been there, asking, “Where did I save that file?” or “Why is this transfer taking forever?” The whole process has been clunky, stressful, and way more work than it should be.
But here’s the good news: cloud-based storage is changing everything
Not just any cloud solution, but one that’s built specifically for media professionals. That’s where EditShare FLEX comes in. Unlike generic cloud storage, FLEX is designed to handle high-resolution media, multi-user collaboration, and even remote editing. If you’re still stuck using outdated storage methods, you’re making things harder on yourself. It’s time to upgrade your workflow and free up your creative energy
Is Your Workflow Slowing You Down? Here’s Why It Might Be Time for a Change
Moving to cloud storage isn’t just about making life easier, it’s about getting rid of the roadblocks that slow down your work. Here’s why sticking to traditional methods might be holding you back:
Searching for Files Shouldn’t Feel Like a Wild Goose Chase
When your media is scattered across multiple hard drives and local storage, finding the right file can feel like digging through a haystack. It’s frustrating, time consuming, and completely unnecessary.
With EditShare’s EFS, everything is in one place organized in mediaspaces, easy to find, and instantly accessible (subject to permissions!), whether you’re at the studio or working remotely. No more wasted time. Just stress-free editing
Waiting for transfers wastes time and money
Large file transfers have long been the bane of post-production workflows. Traditional FTP, email attachments, and even some basic cloud solutions simply aren’t designed for massive media files. EditShare FLOW automation optimizes your transfers, ensuring that large files are sent, received, and accessible.
Collaboration should be simple, not stressful
When multiple editors, VFX artists, and producers are working on the same project, versioning nightmares are all too common. Who has the latest cut? Did someone accidentally overwrite the master file? With EditShare’s cloud-enabled collaboration, everyone is working from a single, centralized source of truth, no confusion, no lost work, and no last-minute panic.
How EditShare Future-Proofs Your Workflow
With FLEX, powered by EditShare EFS and FLOW, you’re not just moving to the cloud—you’re upgrading every part of your post-production workflow. Here’s what that looks like in action:
Work from Anywhere Whether you’re in the studio, at home, or on set, your team has secure, real-time access to all media assets. No more waiting, no more limitations—just seamless collaboration.
Storage That Grows With You Forget about running out of space. FLEX cloud storage scales with your needs, so you’ll never have to scramble for extra storage again.
Collaboration FLEX integrates directly with Adobe Premiere Pro, DaVinci Resolve, and Avid Media Composer, letting you edit straight from the cloud without worrying about local storage.
Power When You Need It Spin up high-performance workstations whenever you need them and spin them down when you don’t, so you’re never paying for more than you use.
Smart, Secure, and Reliable Automatic backups, role-based permissions, and MediaSpace projects keep your files safe and accessible only to the right people.
With FLEX, you’re not just storing files, you’re streamlining your entire workflow and making post-production faster, easier, and more efficient.
The Industry is Moving Forward, Are You?
Sticking to outdated storage isn’t just frustrating, it’s slowing you down. Teams using cloud-based workflows work faster, collaborate better, and avoid unnecessary headaches.
With EditShare, you’re always ahead. No lost files, no long waits, no versioning chaos, just a smooth, efficient workflow.
The future of post-production is here. Ready to make the leap?
Collaboration with EditShare, Octopus Newsroom and Imagine Communications delivers a modernized, scalable newsroom environment
Boston, MA, 14 March2025 — EditShare, the technology leader that enables storytellers to create and manage collaborative workflows at every stage from storyboard to screen, today announced its role in revolutionizing Media Prima’s newsroom with an integrated workflow solution designed to enhance speed, efficiency, and scalability.
Media Prima, Malaysia’s largest integrated media company, operates multiple television networks, digital platforms, and print publications, serving millions of viewers and readers daily. This transformative project, delivered in collaboration with Octopus Newsroom and Imagine Communications, was spearheaded by systems integrator ACE Identity, resulting in a state-of-the-art newsroom workflow that supports the demands of modern news production.
At the core of the upgrade is EditShare’s EFS 450 High Availability storage system, providing scalable, high-performance shared storage that supports Media Prima’s demanding workflows. This is complemented by EditShare FLOW, a powerful asset management platform that organizes and facilitates content access across teams, acting as the backbone for collaboration and integration.
Imagine Communications ensures smooth and reliable playout, delivering high-quality content to audiences. Meanwhile, Octopus Newsroom enhances editorial planning and story management with an intuitive, journalist-centric approach. Together, these solutions empower Media Prima to deliver breaking news faster than ever, with streamlined workflows from content acquisition to final broadcast.
The new newsroom operates in full HD, supporting both file-based ingest from multiple camera vendors and baseband ingest for maximum content acquisition flexibility. Journalists can initiate story editing directly within the Octopus Newsroom interface using EditShare’s sequence-based editing tools, then finalize content in Adobe Premiere Pro through EditShare FLOW’s integrated Adobe panels. Files are then exported back to EditShare EFS, where Imagine Communications’ broadcast infrastructure takes control of newsroom rundowns for on-air delivery.
The newsroom transformation was spearheaded by ACE Identity, a trusted systems integrator specializing in broadcast solutions. Their expertise brought together the capabilities of EditShare, Imagine Communications, and Octopus Newsroom into a tailored solution that meets Media Prima’s requirements for speed, efficiency, and scalability.
“This project is a perfect example of EditShare’s open approach to media workflows,” said Tara Montford, Co-Founder and EVP Sales at EditShare. “We are proud to work alongside best-of-breed technology providers such as Octopus Newsroom and Imagine Communications to deliver a solution that meets the unique needs of Media Prima. By collaborating openly with industry leaders, we ensure our customers benefit from the most flexible, efficient, and scalable workflows possible.”.
EditShare is an Emmy Award-winning technology leader, supporting storytellers through collaborative media workflows across on-premise, cloud and hybrid architectures. It offers scalable storage and collaboration for media businesses and at every stage of the video production process from storyboarding to screening.
The software is inherently open, encouraging workflow collaboration, third-party integrations and content sharing across the entire production chain. Where required, the software is backed by high performance, high availability designed specifically for the demands of media storage, management and delivery. The comprehensive offering covers multi-level content storage for production and post, along with innovative asset and workflow management software, plus specialized and highly valued tools for content review and distribution, the creation of customized and branded pitch reels, and secure preview of high-value pre-release content.
Press Contact Katharine Guy katharine.guy@editshare.com
From ultra-fast storage to AI-powered media management, EditShare’s latest advancements set new standards for workflow efficiency
Boston, March 11, 2025 – EditShare, the leading name in collaborative media workflows, is set to make waves at NAB 2025 (booth SL4216, Las Vegas Convention Center, 6 – 9 April) with exciting new innovations that will redefine media storage, workflow efficiency, and AI-driven content management.
Following on from the Ultimate series well-received debut at IBC 2024, EditShare’s latest advancements will now make their U.S. premiere in Las Vegas. Attendees can expect a firsthand look at the next generation of media storage solutions, offering remarkable speed and scalability to support a variety of production environments. Whether it’s boutique post-production studios or major broadcast networks, EditShare’s latest solutions are designed to empower creative teams with unparalleled performance and workflow efficiency, backed by powerful security features.
Beyond storage, EditShare is rolling out significant upgrades to its intelligent media management tools. These enhancements will streamline how media professionals handle, process, and locate their assets making workflows faster, smarter, and more intuitive.
Clients will see noticeable gains in speed and performance across the entire product line, alongside major OS upgrades that improve reliability and ease of use. And with new, competitive pricing, EditShare is making high-end media solutions more accessible than ever before.
One of the must-see demonstrations at NAB 2025 will showcase the direct integration of EditShare’s high-performance NVMe storage with cutting-edge film scanning technology from Lasergraphics. This live presentation will highlight the system’s ability to handle high-resolution media, reinforcing EditShare’s commitment to pushing the boundaries of what’s possible.
“Our goal has always been to give media professionals the tools they need to create, collaborate, and deliver with ease,” said Brad Turner, Chief Executive Officer of EditShare. “The advancements we’re bringing to NAB 2025 demonstrate our dedication to helping our customers stay ahead of the curve. With faster speeds, smarter workflows, and better value, we’re changing the game.”
Visitors to NAB 2025 are encouraged to stop by EditShare’s booth for live demonstrations and an exclusive look at the future of media workflows.
For more information on EditShare solutions, please click here to get in touch. Or book a meeting with us at the show here.
About EditShare
EditShare is an Emmy Award-winning technology leader empowering storytellers with collaborative media workflows designed for on-premise, cloud, and hybrid environments. Its scalable storage and collaboration solutions support media businesses at every stage of video production, from storyboard to screen.
With an open architecture, EditShare fosters workflow collaboration, third-party integrations, and content sharing across the entire production chain. Its high-performance, high-availability design meets the rigorous demands of media storage, management, and delivery. The comprehensive suite includes multi-tiered content storage for production and post-production, innovative asset and workflow management tools, and specialized features for content review, secure preview of pre-release materials, and the creation of customized branded pitch reels, ensuring a seamless and secure media production process.
Press Contact Katharine Guy katharine.guy@editshare.com
One thing I see a lot in my line of work is a lot of talented, creative, and passionate people being forced to do really menial tasks in order to start the edit or start the production. Right? A lot of MAM companies will promise you the world when it comes to automating away these menial tasks, but usually there’s a pretty hefty price tag and a lengthy professional services process to get through. One of EditShare’s most exciting products actually remedies that.
Let me show you three things you can automate today using FLOW Automation.
QC Quarantine Automation
This first one I like to call the QC quarantine. This automation allows you to set up a watch folder for an ingest path. Anything that hits that watch folder immediately gets sent over to a QC server, something like Baton or QScan.
If it passes, we copy it into the proper media folder, and then we set the metadata to show that it passed at a certain date and time. If it fails, we move it into a quarantine media space that’s only accessible by one user, in this case, patient zero.
We send a notification email to patient zero saying there are clips waiting for you in the quarantine folder. Patient zero can now manually look over these clips that failed QC and determine what to do next.
This cuts down significantly on the per asset QC time because rather than you having to manually upload them or upload them to the QC server, they already live on the EditShare and proxies are being generated in the background during this QC process. Plus, there’s no way for editors to accidentally use assets that failed the QC check.
Mezzanine Automation
The next automation is a mezzanine automation. Oftentimes, you’re gonna be working with footage from multiple different cameras as well as graphics packages. All of these are gonna be different codecs at varying bit rates, and it’s gonna make it really difficult for you as an admin or a media manager to predict how the system is going to handle X number of editors on the system. This works by immediately taking any assets that are dropped into the ingest folder and transcoding them into a house mezzanine codec.
This is usually a codec that is in line with your absolute highest res spec for output. Once that transcode is done, it takes the original footage and moves it up to a cloud archive so that you always have access to it. And it also preserves the original file path in case you’re using something like a Sony camera with a really important file path structure. The new transcoded footage goes to the media folder that the editors will access for their actual projects.
And if this transcode fails because of some exotic codec, it actually sends an email to IT or the admin of the EditShare server to take a look at it and see what went wrong.
Metadata Trigger Automation
This last one is great if you need to organize a package of assets to send off to a remote contractor somewhere to download and edit. It starts with a metadata trigger, so we can take all of the assets we wanna send and say push to MediaSilo. Once that’s triggered, it transcodes to an .mp4 that’s a little lighter weight and easier to transfer. Then it runs a metadata check to see if that asset is confidential or not.
If it is confidential, then it sends a notification email to your security team saying that someone tried to upload confidential assets. It also notifies the original uploader, although this is optional. If it’s a green light and there are no confidential assets, we push it up to MediaSilo, and then we update the metadata on the clip in FLOW to say this was uploaded to MediaSilo on this date and time.
As you can see, these three automations alone could save dozens of working hours on your team every week, and you can make and adjust these at your leisure rather than having to call someone like me.
University Invests in High Performance NVMe and Nearline Storage
Boston, MA, 13 December 2024 — Leeds Trinity University, recently ranked No. 1 in the UK for Journalism by The Guardian’s University Guide 2025, has enhanced its media production capabilities with cutting-edge EditShare technology, delivered in collaboration with channel partner Altered Images. The new system, built on the elite performance of EFS NVMe architecture, coupled with new nearline EFS nodes, provides exceptional breakthrough performance and scalability to meet the university’s growing media demands. This investment underscores the university’s commitment to equipping its students with leading-edge professional-grade tools for modern content creation.
In response to demands for increased bandwidth and performance for more simultaneous creative users, Leeds Trinity University sought a solution that combined cost-effectiveness with breakneck performance. The decision to select EditShare technology was influenced by the company’s proven track record of providing reliable media engineered production storage nodes previously implemented at the University.
EditShare Technology at Leeds Trinity University
The upgrade was driven by the need to handle more high-resolution media streams and support more simultaneous users. The advanced high-performance NVMe architecture, optimized by EditShare’s media-aware EFS file system, delivers the bandwidth and low-latency access required to easily handle these demands. Complementing this, EditShare’s EFS near-line system delivers robust data protection with reliable daily incremental backups. Additionally, the platform’s compatibility with a wide array of creative applications ensures efficient collaboration and media management across diverse environments.
The system, which went live in September, has already delivered transformative results for Leeds Trinity University’s media operations. The enhanced bandwidth allows more users to access the system without compromising performance and the daily backups ensure data security and continuity.
“The recent classification by The Guardian as the No. 1 University in the UK for Journalism is in large part due to the wonderful facilities we provide, of which EditShare is central,” said Mark Willett, Media Facilities Manager at Leeds Trinity University. “We are thrilled to be the first university in our region to embrace this cutting-edge technology. Our new EditShare system not only improves our capabilities but also underscores our commitment to providing students and staff with the best possible resources to achieve their goals.”
“This investment exemplifies the innovative and cost-efficient approach that we strive to support with our solutions,” said Sean Bradley, RSM for Northern Europe, EditShare. “They are designed to empower institutions and organizations to meet their media management challenges with confidence, enabling them to focus on supporting creativity and collaboration.”
EditShare is an Emmy Award-winning technology leader, supporting storytellers through collaborative media workflows across on-premise, cloud and hybrid architectures. It offers scalable storage and collaboration for media businesses and at every stage of the video production process from storyboarding to screening.
The software is inherently open, encouraging workflow collaboration, third-party integrations and content sharing across the entire production chain. Where required, the software is backed by high performance, high availability designed specifically for the demands of media storage, management and delivery. The comprehensive offering covers multi-level content storage for production and post, along with innovative asset and workflow management software, plus specialized and highly valued tools for content review and distribution, the creation of customized and branded pitch reels, and secure preview of high-value pre-release content.
About Altered Images Altered Images is a leading provider of technology solutions for the media and entertainment industry, specializing in system design, installation, and support. As a trusted EditShare channel partner, Altered Images brings expertise and personalized service to every project, ensuring clients achieve their operational goals with confidence. https://alteredimages.com/
Press Contact Katharine Guy katharine.guy@editshare.com
Boston, MA, 10 December 2024 — EditShare, a leading provider of collaborative workflow solutions from storyboard to screen, is pleased to announce the appointment of Brad Turner as its new Chief Executive Officer, effective December 8, 2024. Brad succeeds Ramu Potarazu, who is transitioning from his role as CEO and will continue to contribute to EditShare’s vision and strategy as a member of its board of directors.
”I’ve truly cherished my time leading the day-to-day operations,” says Potarazu, “and as I transition to the Board of Directors to focus on guiding our innovation strategically, I’m thrilled to warmly welcome Brad as he steps into the daily leadership CEO role. I wish him every success in this next chapter.”
Brad joins with significant experience in growing software businesses. He previously served as the general manager of Harris Broadcast’s media software business and held leadership roles in digital analytics, digital document management, and information services businesses. Most recently, he founded and ran Turner Advisors, a sales and marketing strategy consultancy serving mid-market software companies. His track record of aligning business goals with market opportunities has consistently delivered outstanding results, making him a valuable addition to EditShare’s leadership team.
Brad’s appointment signals an exciting new phase for EditShare as the company continues to deliver innovative solutions that enhance collaboration and streamline workflows.
Brad Turner, CEO EditShare
“Having previously served in the media and entertainment technology sector, I am excited to re-enter the industry and join a leader like Editshare,” says Brad. “They are at the forefront of cutting-edge technology from ingest right through to delivery and at every stage in between. I’m looking forward to working with the team to build on what is already an enviable product portfolio.”
EditShare’s portfolio includes scalable, high-performance solutions designed to meet the demands of modern media production. From award-winning storage systems to robust media asset management, and review and approvals platforms, the company remains committed to empowering content creators with tools that simplify storytelling.
EditShare is an Emmy Award-winning technology leader, supporting storytellers through collaborative media workflows across on-premise, cloud and hybrid architectures. It offers scalable storage and collaboration for media businesses and at every stage of the video production process from storyboarding to screening.
The software is inherently open, encouraging workflow collaboration, third-party integrations and content sharing across the entire production chain. Where required, the software is backed by high performance, high availability designed specifically for the demands of media storage, management and delivery. The comprehensive offering covers multi-level content storage for production and post, along with innovative asset and workflow management software, plus specialized and highly valued tools for content review and distribution, the creation of customized and branded pitch reels, and secure preview of high-value pre-release content.
Press Contact Katharine Guy katharine.guy@editshare.com
Additional capacity for long-time user
Boston, MA, 2 December 2024 — EditShare, the technology leader that enables storytellers to create and manage collaborative workflows at every stage from storyboard to screen, has expanded Inflight Dublin’s storage capacity by adding further high-powered EFS nodes. The new appliances, supplied through EditShare’s channel partner Tyrell, provide an additional half petabyte of capacity to the company’s infrastructure.
Inflight Dublin has been a market leader in providing content for Inflight Entertainment (IFE) for 40 years. Many airlines worldwide now rely on it for packages of movies, television shows and games tailored to the needs of their passengers. EditShare has provided its content library and management facilities since 2011.
Pat Nolan, Director of IT and Information Security, Inflight Dublin
“We curate and package everything that is needed for IFE: video, audio, subtitles and metadata,” said Pat Nolan, Director of IT and Information Security for Inflight Dublin. “We need agility to combine content with the right audio and subtitle languages, in the right formats for the IFE equipment on the client’s planes, quickly, accurately and securely.”
Inflight utilizes a tiered content storage strategy to optimize its production and archiving processes. This strategy includes EFS production storage, EFS nearline storage, and long-term archival solutions.
EFS production nodes deliver high-performance storage for fast content creation, EFS nearline storage, serves as an intermediate parking storage solution. Upon project completion and delivery, all content is securely archived using EditShare ARK.
Content flows and access are managed through EditShare FLOW software, which also provides the integration point for Inflight Dublin’s in-house developed software tools for automatically creating deliverables. Embedded in FLOW is EditShare Guardian, for comprehensive analytics and audit trailing, and combined with EditShare’s inherent security, provides assurance to the very high standards demanded by the company’s suppliers, which include major movie and television studios.
“As Infight’s long-term partner, we understand the critical role workflow and security plays in its business and the demanding needs of the airlines it serves,” said Stephen Murnane, Account Manager, Tyrell. “By providing additional EditShare EFS storage, Inflight Dublin can ensure a seamless IFE experience for passengers worldwide.”
“Content is a fundamental part of Inflight Dublin’s operations,” said Tara Montford, Co-Founder and EVP Sales at EditShare. “Its suppliers need to be certain that their intellectual property is protected; its customers need to know that the passengers on their planes will be delighted by the IFE experience, not disappointed or frustrated.”
“EditShare is the core of the operation,” he continued. “It is much more than very reliable storage: the FLOW software provides the functionality Inflight Dublin needs, the interconnectivity for its workflow, and provides the security and traceability to completely protect the media.”
EditShare is an Emmy Award-winning technology leader, supporting storytellers through collaborative media workflows across on-premise, cloud and hybrid architectures. It offers scalable storage and collaboration for media businesses and at every stage of the video production process from storyboarding to screening.
The software is inherently open, encouraging workflow collaboration, third-party integrations and content sharing across the entire production chain. Where required, the software is backed by high performance, high availability designed specifically for the demands of media storage, management and delivery. The comprehensive offering covers multi-level content storage for production and post, along with innovative asset and workflow management software, plus specialized and highly valued tools for content review and distribution, the creation of customized and branded pitch reels, and secure preview of high-value pre-release content.
About Tyrell
For 24 years Tyrell has been providing video, audio, graphics and storage solutions to the Irish and UK broadcast, post, production, corporate and education markets. In this time, we have become the leading provider of technology and service solutions both on-premise and in the cloud. Tyrell has an excellent understanding of the fast pace and unique pressures facing the media and entertainment industry; developing solutions for complex workflows. Allowing our clients to concentrate on the creative process and business development. From our two locations we offer a comprehensive range of professional services from consultancy to system design and integration, technical support and maintenance.
Inflight Dublin is a leading provider of Inflight Entertainment and connectivity solutions. With a focus on innovation and quality, we offer a wide range of services including content provision, wireless streaming, and more. Our solutions are designed to enhance the passenger experience, providing airlines with the tools to deliver exceptional Inflight Entertainment.
Press Contact Katharine Guy katharine.guy@editshare.com
New installation transforms post production workflow at top Swedish post house
Boston, MA, 27 November 2024 — One of the leading Scandinavian post-production houses, Tint, has supercharged its media workflows with EditShare’s high-performance storage across its Gothenburg and Stockholm offices. The solution combines ultra-fast EFS NVMe storage nodes and multiple EFS 300 units, delivering both locations easy access to shared content. Completed in June with regional partner Danmon Group Sweden, this installation boosts collaboration among its teams of colourists, VFX artists, editors, sound designers and producers, ensuring efficient and smooth operations.
Tint, known for its post-production expertise across commercials, feature films and serialized tv content, required a more efficient workflow solution between its two locations. Despite a private network, manual file transfers between Gothenburg and Stockholm caused delays and version control issues, especially for VFX artists in Stockholm facing bottlenecks. To overcome these challenges, Tint chose EditShare for its robust features, proven performance, and competitive pricing.
The installed system features EFS-300 nodes at both locations, with two nodes in Stockholm and Gothenburg each, all reinforced by ultra-high-speed NVMe nodes for unparalleled performance. This configuration enables easy media sharing, enhanced collaboration across sites, and delivers the exceptional performance and throughput required for high-end film and VFX work.
“Our primary goal was to create a frictionless, collaborative working environment for both our Gothenburg and Stockholm teams,” said Albin Abrahamsson, Post Supervisor, of Tint. “EditShare’s EFS storage has completely transformed how we work, eliminating file transfer delays, removing admin worries and allowing our teams to focus purely on the creative process. The NVMe performance is incredible, especially for our VFX and color grading workflows.”
Tint’s CTO, Vincent Larsson added, “We evaluated multiple vendors, including the option of building our own system, but EditShare stood out for its superior performance, feature set and price. It’s reassuring to have a high-speed media-aware storage solution that offers both reliability and the flexibility to meet our evolving needs.”
Tint has also capitalized on EditShare’s open API framework, writing their own scripts integrated with Apple Shortcuts. This has allowed producers to quickly and easily create media spaces, add folders and users to new projects without requiring access to the core EFS system. “Our producers can now manage new projects and media spaces themselves, saving everyone time and getting new projects up and running straight away,” added Abrahamsson.
Security is paramount in media, and EditShare’s EFS auditing capabilities play an important role by delivering real-time activity tracking and monitoring every user action, ensuring total confidence when handling valuable content.
“This is a perfect example of how modern post-production environments taking a tiered approach to their storage nodes, can achieve greater efficiency and creative freedom,” said Sean Bradley, RSM for Northern Europe, EditShare. We’re proud to support Tint with an EditShare solution tailored to their needs today and built for future success.”
Tint Post’s Cinema Mixing/Grading Stage in Gothenburg
EditShare is an Emmy Award-winning technology leader, supporting storytellers through collaborative media workflows across on-premise, cloud and hybrid architectures. It offers scalable storage and collaboration for media businesses and at every stage of the video production process from storyboarding to screening.
The software is inherently open, encouraging workflow collaboration, third-party integrations and content sharing across the entire production chain. Where required, the software is backed by high performance, high availability designed specifically for the demands of media storage, management and delivery. The comprehensive offering covers multi-level content storage for production and post, along with innovative asset and workflow management software, plus specialized and highly valued tools for content review and distribution, the creation of customized and branded pitch reels, and secure preview of high-value pre-release content.
Press Contact Katharine Guy katharine.guy@editshare.com
Adds capacity, AI indexing and sharing technologies
Boston, MA, 17 October 2024 — EditShare, the technology leader that enables storytellers to create and manage collaborative workflows at every stage from storyboard to screen, has expanded its installation at Last Cut Media. The extensions, which include AI indexing from Mobius and the EditShare MediaSilo collaboration platform, were implemented by Advanced Media Trading, EditShare’s distribution partner in the Middle East.
Last Cut Media, based in Abu Dhabi, UAE, is a large-scale independent post house, designed by content creators for content creators. Seeking to streamline its operations and allow its users to focus on their projects, at the beginning of 2023 Last Cut replaced its ad hoc storage systems with an EditShare storage network, including an EFS 300 shared online store, a nearline server and LTO tape archiving.
With the growth in premium business, Last Cut has returned to EditShare to increase both its capacity and functionality. The extension doubles the system capacity with a second EFS 300 storage node.
The new installation also incorporates technology from Mobius, seamlessly integrated into the EditShare FLOW asset management system. This adds AI support to automatically create rich metadata, including facial and scene detection. The core Mobius knowledge base includes more than 5000 objects, emotions and actions, and 10,000 famous people, which is added to with every piece of content passing through FLOW.
Last Cut also decided to implement the EditShare MediaSilo collaboration system. This replaced an existing standalone distribution system and provides seamless integration with the rest of the storage network. The result is that producers and other collaborators working remotely from the facility can receive high quality viewing copies, automatically generated, ensuring everything can be checked and signed off in a timely fashion.
Saad Duaibes, General Manager, Last Cut Media
“In today’s world, producers want the best facilities, but they do not necessarily want to spend time travelling to them,” said Saad Duaibes, General Manager of Last Cut Media. “We have clients all across the region and in all the creative hotspots like Lebanon, Egypt and Saudi Arabia. Adding MediaSilo means we can keep those clients up to date with progress, without adding to our workload, ensuring they see the very latest versions.
“Since we moved to EditShare storage we have been able to streamline our workflows,” Duaibes added. “It has helped our business grow, prompting us to expand our storage network to accommodate new projects. We are very comfortable with the solution, and see our use of it growing, including working with new tools like artificial intelligence.”
Michele Dwayk, head of sales for EditShare in the Middle East, said “Last Cut Media is widely respected in the region, and serves projects from commercials to movies, through television drama and documentaries. Each genre and each project has its own distinct workflow, and its own group of collaborators.
“EditShare FLOW is designed to be open and flexible, allowing Last Cut to set up each project according to the creative and business demands,” she continued. “They have embraced these capabilities and, working with our colleagues at Advanced Media Trading, we have helped them see further advantages for the future, including simple collaboration with MediaSilo and AI indexing with Mobius.” The extensions to the storage network and the new software functionality were installed in June 2024 and are now fully online.
EditShare is an Emmy Award-winning technology leader, supporting storytellers through collaborative media workflows across on-premise, cloud and hybrid architectures. It offers scalable storage and collaboration for media businesses and at every stage of the video production process from storyboarding to screening.
The software is inherently open, encouraging workflow collaboration, third-party integrations and content sharing across the entire production chain. Where required, the software is backed by high performance, high availability designed specifically for the demands of media storage, management and delivery. The comprehensive offering covers multi-level content storage for production and post, along with innovative asset and workflow management software, plus specialized and highly valued tools for content review and distribution, the creation of customized and branded pitch reels, and secure preview of high-value pre-release content.
Press Contact Katharine Guy katharine.guy@editshare.com
That’s a wrap on another successful year in Amsterdam at IBC, the show that always brings game-changing innovation to the industry. Hall 7 was the exciting place to be. Pulling off a show of this size takes effort, and our team did an excellent job setting up the booth with eye-catching workflows . We couldn’t be more grateful to them, because it allows us to connect with creative professionals and have workflow discussions with so many customers and partners. This year marked our 20th year exhibiting at IBC, a milestone that reflects two decades of bringing innovation to the M&E industry—many of which have since become integral to mainstream workflows. 2024 was no different, as we continue to push the boundaries of technology and shape the future of production. It also allowed us to introduce our latest product innovations – the all new EFS Ultimate Series and EFS Field Unit.
Here’s a look back at some exciting highlights from this year’s show.
AI Still Dominates the Conversation, but Remote Workflows Are Redefining Collaboration
As more companies adopt generative AI, it continues to dominate discussions at industry events. While the full impact of AI and machine learning in the creative process is still emerging, many see these tools as ways to explore new ideas, techniques, and styles. Some view AI as a radical shift in creative technology, while others see it as an efficient way to speed up their work. As one keynote speaker noted, “AI may generate an image, but it’s people who are guiding the tools.”
At the same time, the rise of remote workflows is reshaping how media is produced. Cloud-based tools like MediaSilo and technology like our own Swiftlink are allowing teams to work together across distances, transforming post-production, editing, and even live broadcasts into remote-friendly processes. This shift enables greater flexibility, faster response times, and lower costs, creating a more agile industry.
Unveiling our latest portfolio of storage nodes sparked lively conversations at the booth this year. Designed to streamline workflows and reduce the cost of shared collaborative storage, the Ultimate Series offers 2U, 3U, and 4U form factors, along with an exciting new addition: a portable field unit that delivers unparalleled flexibility for on-set and remote production.
The Ultimate Field portable unit, built on cutting-edge NVMe architecture, provides exceptional bandwidth for on-location work. Featuring integrated SwiftSync technology, it ensures the secure, high-speed transfer of media, allowing teams to instantly send dailies to global facilities for faster collaboration. Whether for boutique post-production houses or national broadcasters, the Ultimate Series enables users to work faster, more efficiently, and from anywhere.
Security was a big discussion at the show and protecting sensitive or valuable content is critical. EditShare is fully aligned with TPN (Trusted Partner Network) security protocols, ensuring compliance with industry-leading standards. Our solutions provide robust real time auditing , secure access controls, and reliable data protection to safeguard media assets throughout the production and post-production process.
Pushing the Boundaries of What’s Possible
We wanted to showcase what is possible and set up an entire film restoration and archive workflow on the booth. We demoed an NVMe node connected to a gorgeous Lasergraphics Film Scanner, showcasing its ability to capture into an EFS mediaspace concurrently in stunning 5K DPX 4K 16-bit, 4K DPX 10-bit all at 30fps and concurrently playing back within Resolve at 8K 16-bit DPX— pushing the boundaries of high-resolution film restoration and archiving. This was showing what is possible. We still had so much more bandwidth left and this was all being produced on a single 2U Node.
“From the beginning, our mission has been to equip media professionals with practical, powerful, and cost-effective tools,” said Tara Montford, Co-Founder and EVP of Sales at EditShare. “The innovations we’re launching at IBC give users more power, speed, and capacity without sacrificing security—all at a price point that’s truly groundbreaking.
“With these advances, we’re delivering a revolution in content and workflow management that empowers the creative industry to do what they do best: tell great stories,” Montford added.
Got any questions, reach out to us right here, we are happy to talk workflow with anyone that wants to!
