EditShare and Digistor wins Cloud Enabled Post Production upgrade for Major Australian Broadcaster
A major Australian Broadcaster has invested in an EditShare solution that provides a hybrid workflow across on-premises and AWS.
In one of the largest contracts awarded of its kind, Digistor has won the nationwide post production upgrade for one of Australia’s major national broadcasters. The upgrade encompasses existing post-production facilities and the broadcaster’s editing platform, with Digistor providing and installing a hybrid on-premise and cloud solution with remote editing capability and automated speech to text. The new upgraded solution also includes a powerful production asset management (PAM) layer to organise and automate production workflows.
Digistor’s new solution not only replaces a legacy system, but also brings significant workflow improvements and efficiencies whilst leveraging the cloud to enable remote workers and teams to seamlessly collaborate, regardless of their location.
The new upgrade and solution includes many of the key technologies that Digistor specialises in, including EditShare storage, both EFS on-prem and EditShare FLEX cloud solutions (previously known as EFSv). There’s also comprehensive FLOW media management tools, AirFLOW media sharing, FLOW NLE integrations for remote editorial and FLOW Automation to orchestrate workflows. Alongside and integrated with these are HelmutFX to manage multi-user Adobe® Premiere® Pro projects and production workflows, and Audimus AI-based automated transcription.
All new hardware and software will be tightly and seamlessly integrated with the broadcaster’s existing networking and server environment by Digistor’s team, and the cloud components of the system will be hosted by AWS.
In addition to providing, installing and commissioning the new hardware and software components, Digistor engineers will work closely with EditShare to provide a range of services during the implementation. These include workflow discovery to understand, redesign and define workflows to improve productivity, a detailed design phase, project management, and full implementation.
Digistor will also provide the broadcaster with comprehensive staff training services including, superuser training, train-the-trainer and administrator training. When the training has been completed, the new system will then be supported by Digistor’s premium and highly-acclaimed Customer Assurance Plan.
This new and major contract comes after many years of Digistor having long and successful associations with all of Australia’s major broadcasters, where they supply and support solutions for editing, graphics, live broadcast, storage, asset management, playout and distribution – often leveraging the cloud and remote workflows.
A key, important and common aspect in all of these solutions are the technical services that Digistor provides to ensure all projects are successfully implemented and supported over the life of the solution.
In more EditShare-based news, Digistor has also recently designed, installed and rolled-out a multi-petabyte solution in Sydney for a global religious organisation, providing them with the significant benefits and expertise that come with all of Digistor’s large-scale deployments.
Ends
About Digistor Managing Director Andrew Mooney founded Digistor in 1990. His experience designing, installing, and maintaining services for broadcasters and post-production houses had made it clear to him that the industry needed a group of experts who could look at things objectively. The result is a company that for over 30 years has been providing elegant solutions to leading organisations in the most technically demanding application areas.
Digistor provides solutions for the creation, management, storage, and distribution of digital assets. From post-facilities to broadcast operations, from single studios to collaborative, networked environments operating across a room or across the world, Digistor empowers its customers through smarter technology and service solutions.
For more information on Digistor, please visit the website at www.digistor.com.au
About EditShare EditShare is a technology leader that enables collaborative media workflows on-premise, in the cloud, or in a hybrid configuration. With customer and partner success at the heart of EditShare’s core values, our open software solutions and robust APIs improve workflow collaboration and third-party integrations across the entire production chain, ensuring a world-class experience that is second to none. The high-performance software line-up includes media optimized shared storage management, archiving and backup, and media management, all supported with open APIs for extensible integration.
EditShare’s cloud-enabled remote editing and project management technology was recently recognized by the National Academy of Television Arts and Sciences (NATAS) with a prestigious 2021 Emmy® Award for Technology and Engineering.
Tour De Force Born out of sheer determination and passion, 3P Studio has earned its place in Australia’s creative landscape as one of the industry’s hardest working boutique post-production houses. Founded and led by artisan Haley McDonald, 3P Studio’s eclectic portfolio of post-production work includes desirable commercial brands such as Subway, Allianz, Isuzu Motor Company as well as iconic and defining shows like Sesame Street.
“There are a few projects that we are particularly proud of at 3P Studio and one that stands out is the work we did with Brisbane-based advertising agency, Carbon Creative, for the Australian Department of Premier and Cabinet’s ‘Stop the Hurting: End Domestic Violence’ campaign,” comments McDonald. “It was the first large-scale national campaign that we undertook in the studio; it was an honor that they selected 3P to work on such an important campaign.” A testament to their quality and influence, 3P Studio was recognized for their outstanding work on the “Stop the Hurting” campaign, receiving a silver medal in the Brisbane Advertising and Design Awards.
Humble Beginnings Leads to a Local First With almost two decades of experience in the media and entertainment industry, McDonald has worked for some of Australia’s largest post facilities. Passionate about her craft, McDonald always knew that working as a creative storyteller was her true path. “I got my love of TV from my late father. I never had a bedtime as a child and he used to let me watch TV with him whenever I wanted. This led to a lifelong obsession of working with media and creatively telling stories. On the flip side, I got my work ethic off my mum, who worked in a hospital laundry for 30 years. I grew up in a housing commission until I moved to Brisbane when I was 18 and worked in a supermarket there until I saved enough money to go university and study film.” Drive and passion work hand in hand and proved to be incredible assets to McDonald as she forged her own path in a male-dominated industry.
It was after the birth of McDonald’s son in 2013 that life took an unexpected change and really challenged her commitment to being an artist. “I had left for maternity leave in 2013 to have my first child, Dash, who is now eight. When I came back to work after six months, my position had been made redundant and I no longer had a job to return to.” While most would see this as a devastating blow, McDonald turned it into the opportunity of a lifetime. “For some time I had wanted to open my own shop. But, like most people, I had a mortgage, daycare and other bills. So, venturing off on my own was just too risky, but with no job in hand, I had nothing to lose. It was my chance to follow a dream and I gave it everything I had.” Starting out as a freelance editor and designer, McDonald took every job that came her way. “I would never say ‘no’ to a job. I would never say I was booked. I would just say, ‘Yes, no problem, I can do that.’ Even if I had three jobs in one day, I would just take them and work out how I was going to deliver. Eventually, I started hiring people to help as I took on more demanding projects. Since I had been in the industry and was so well connected, I was able to get projects out the door with a very high degree of quality thanks to very talented colleagues. This, of course, translated to very happy clients and exceptional word of mouth marketing.”
Working 7 days a week, McDonald transformed the busy freelance business into one of Brisbane’s few woman-led post-production houses. “I bought my office in 2016 and took six months to fit it out. On Christmas Eve 2016, they handed me the keys to the office and they went, ‘There you go.’ And as 1st of January 2017, 3P Studio was officially in business.”
Purpose Built for Business and Creative Content McDonald built the stunning boutique facility from the ground up. And the chic design took into account installing an EditShare shared-storage solution in late 2017. “When we were wiring the office I made sure I had the cable runs and all the infrastructure shared down the track. I always knew that I wanted to install EditShare because I had used it before, and I really liked the way it supported the content flow. We just needed to save for the investment.” For the first six months, the team worked off the old hard drive system where they had RAIDs that were backing up to other RAIDs overnight and doing mirroring for redundancy. “So, we’d put a project in motion and eventually come to the point where someone would say, ‘Oh, that operator needs to use the project on that,’ meanwhile someone else also needed to use it too, then we’d copy off the data onto another drive and it just became unmanageable so we made the leap to EditShare.”
McDonald quips that she could have purchased other gear, but the EditShare scale-out shared storage nodes were the solution to power her successful business. “I could have gone out and purchased a Mac Pro and hooked it up to a couple of hard drives. Would it have done the same thing? To a certain degree, but it hasn’t been tried and tested like in EditShare. After talking with the guys at EditShare and getting the rundown of the specs and performance reports, investing in EditShare gave me the peace of mind I needed. In addition, my previous experience with using EditShare on very demanding projects assured us that this system would take a beating and keep performing.”
3P Studio installed an EFS 200 single node scale out shared storage solution connecting 10 creative Mac and PC-based workstations over 10-GB Ethernet comprising a mix of Adobe® Premiere® Pro and After Effects®, The Foundry’s NUKE, Maxon’s Cinema-4d, Autodesk Maya, 3D Studio Max, DaVinci Resolve for grading and the premium hero suite, Autodesk Flame Premium while Avid Pro tools is utilized to provide audio post production. With advanced support for project and media sharing, EditShare features helped tremendously with the boutique’s retail clients who, more often than not, required an incredibly fast turnaround. It allowed the team to work simultaneously on projects with one person recording voice-overs while another artist works on the graphics and another edits. “Because the EditShare system is designed for content sharing, it makes the workflow as fast and as collaborative as possible. This means higher quality projects completed on time and of course most importantly, happier clients.”
A Business in Overdrive The successful post-production company tripled its staff between the years of 2017 and 2021, requiring an expanded media infrastructure. Upgrading to EFS 450 and adding FLOW and AirFLOW, the team was able to facilitate traditional editorial campaigns and the growing number of fast-turn projects targeted for social, digital, and other marketing channels. McDonald adds, “More and more client requests are project-specific rather than a campaign. While the content still needs to be delivered across all channels, it has a short-shelf life and smaller budget. The pace from start to finish is accelerated. With our expanded EditShare installation, we have a content factory workflow that gives our clients a first-class post-production experience meeting both their tight timeline and budget requirements.”
The addition of EditShare’s remote media management solution, AirFLOW, to the workflow allowed 3P to offer a “content warehouse” service to its clients. Clients can log in from anywhere, browse through content at their convenience, review work-in-progress and submit project changes. The service removes the burden of clients needing to maintain their own drives or storage servers as all content is stored on the EFS storage platform, maintained by 3P. It also enabled remote collaboration, which was key during the pandemic restrictions.
McDonald notes of the growth, “Our business has reached a point where we need to utilize advanced tools to refine our service offering and delivery. EditShare workflow solutions and creative tools like Adobe have enabled us to make those advancements across our business and deliver a superior level of service.”
Setting a Great Example As a woman-run and owned post facility, Haley is in a very rare category. “I am very proud to be a female post house owner and can definitely say there is room for more of us to take the lead! Running my own shop has given me the opportunity to work with female directors, producers and operators and I take great pleasure in collaborating with them in my studio. In addition, I also have the support of a fantastic group of young men who are sound designers, VFX artists, animators and videographers and I am very lucky to have them. I also have the support of loyal clients that have been with me since I started and most of my work comes from word of mouth which is nice.” As for EditShare, we are very proud to be a part of this success story.
University of Hertfordshire, puts EditShare Solutions at the Core of Its Nationally Ranked Curriculum
Key Highlights
Enterprise Ready – IT-friendly and ultra-secure EditShare FLOW and EFS formed the media foundation to support the university’s two media labs consisting of 80 workstations as well as up to 400 Film and TV students who needed to access content remotely.
Openness – Seamless integration with real-world tools Adobe Premiere Pro, Avid, Baselight, and Final Cut Pro ensured smooth project workflow and student collaboration.
Future Proof – EditShare remote workflows supported critical remote production and review approvals, metadata entry, enabling students and teachers to do their coursework on campus and off.
Automation – FLOW automation provided key efficiencies, including, managing the conversions of delivery formats for student project submissions. The consistency ensured access as well as managed storage volumes.
Competitive Proposal – EditShare’s competitive bid and robust offering stood out from the competition.
Background Located in the picturesque Hertfordshire countryside in England, the University of Hertfordshire has a robust film and TV program with some 400 students. In 2018, the institution achieved the TEF gold rating by the UK government, the highest standard, for its teaching excellence framework. Thanks to its high-quality vocational content, graduates are ready for real-world careers upon entering the creative market.
The popular film and TV program recalibrates its curriculum every 5 years to ensure students are taught the latest techniques using modern filmmaking and video production technology. Just ahead of the COVID-19 shutdown, the university began its anniversary validation, selecting EditShare which supported multiple production and post-production workflows taught at the school, including remote-working workflows. Little did they know what lay ahead and how that investment in the future would enable them to keep the creativity flowing during a global pandemic.
Widening the Opportunities to Learn Principal lecturer, with a body of work that includes major motion pictures, Howard Berry brings a wealth of experience to the classroom.An Avid Certified Instructor, Apple Certified Master Trainer, and Blackmagic Design DaVinci Resolve Certified Trainer, Howard is also a savvy technologist who led the campus wide upgrade which coincided with the university’s course re-validation. Berry explains, “When we began the validation exercise, we had three different pathways that students could take: film and TV, documentary, film and TV fiction, and film and TV entertainment. People move from genre to genre, so we revised and consolidated to a unified film and TV production with a heavy emphasis on post-production. The new path would cover the range of productions as well as picture editing, color grading, visual effects, effects and, most importantly, the workflow side of things, giving students a more well-rounded education.”With the various productions consolidated into one track, Berry selected the EditShare EFS and FLOW solution to support the multiple workflows and various post-production tools used throughout the course. The open platform supported the university’s strategy for an integrated workflow that mapped back to real-world productions and provided a central shared storage platform to safely house content and easily manage student permissions from an administration module designed for educators.
Efficiency Through Automation FLOW automation is key to streamlining the film and TV Program’s submission process. Berry explains the efficiency it has brought to the process, “FLOW hosts folders for all the student assignments. When they submit their QuickTime and finished version files to the EditShare system, FLOW automation scans the file and moves them into a folder only the lecturers can see. If the file is not in the right format, it will be scanned and transcoded. It also timestamps the submissions, so we know that the coursework was submitted on time.” Berry adds, “Some of the coursework is actual paperwork which is supposed to be submitted via the web portal, but students often hedge their bets and send it everything through FLOW, and FLOW automatically filters their PDFs into another folder. It’s a fantastic system where we can see all the relevant submitted files all the time. And it runs in a web browser, making it even easier for me to manage and share with my colleagues.”
Flip to Remote Production Overnight The EditShare installation had been done just ahead of the pandemic, which enabled the film and TV department to continue its coursework after the world shut down. Key to the success of the remote production was EditShare’s FLOW, AirFLOW and FLOWStory. FLOW media management provided the media management foundation with AirFLOW and FLOWStory providing cloud-based editing, review and approval. Berry explains just how important these features became during the pandemic. “Without FLOWStory, the only option was to have students come into the university lab to work on their edits. During a pandemic the thought of having to go this route was not an option and our labs were closed for half of the year. FLOWStory was a light install that ran on Windows and Mac and would allow the students to edit from anywhere. It was perfect.” Berry adds, “As the students dived deeper into the application, they discovered that it could do 4k multi-camera editing and export the EDL directly into an NLE. And of course, AirFLOW gave us the important remote review and approval capabilities. Just incredible that we could slip into remote working so quickly. Weekly edit reviews, where staff and students would usually have to gather together, became easy with AirFLOW remote viewing and review markers added to the timeline with notes that the students could instantly see and act upon.”
It’s All About Flexibility For Berry, production has typically been rigid with required specifications and hardware. With EditShare, the restrictions of connecting with other systems and geographic boundaries have been lifted. It allowed them to be adaptable to extremes. One degree project this year, “My Hundred Brothers and Sisters”, has involved students at a partner film school in Poland filming on behalf of Hertfordshire students who couldn’t travel abroad. The footage was sent from Poland over the internet, and the editor of the project was able to save it directly onto their dedicated 2TB EditShare space – instantly making it available to the director to review, the assistant editor to log and add metadata, and for transcripts to be prepared before the cut. The whole team could see the footage remotely any time they wanted to access it. Berry concludes, “We have many students who cannot return to campus because of the pandemic for one reason or another and they are still doing the coursework, they are still doing the training, and they are still able to learn because we are using EditShare. It’s an amazing gift of being able to do what we want and in any kind of way that we want to deliver it now. And I am very grateful.”
EditShare Solutions
FLOW media management provides a control layer for managing millions of assets as well as tools for ingest/log, browse, automate, and distribute AirFLOW facilitates remote production including review and approval workflows FLOW Storyeditor supports remote storyboarding and remote editing EFSprovides media engineered shared storage
New workgroup permissions, NDI Support, and third-party integrations enhance workflows for admins and video editors
Boston, MA – July 1, 2021 –EditShare®, a technology leader that delivers software to enable collaborative media workflows for storytellers, announced today a number of key enhancements to its EFS and FLOW solutions. As the intelligent media control and management layer for on-premises and cloud, EditShare solutions enable collaborative media production workflows including storyboarding, review and approval, storage management, archiving and distribution.
FLOW Key Enhancements
EditShare customers can watch the FLOW Q2 update video to learn more about the new features and capabilities. NDI and H.265 Scan Support
Support for the growing demand for NDI workflows within FLOW, which is currently in public beta, provides EditShare customers a convenient architecture for distributing video over IP.
Support for H.265 HEVC compression technology widely used in productions around the world offers EditShare customers outstanding picture quality with very low file sizes.
Group Permissions with Support for Projects, Metadata and Channels
Quickly create, delete, and edit groups permissions.
Disable and re-enable entire groups.
Easily promote and track users’ permissions.
Extend permissions on a group basis to projects, metadata templates and ingest channels.
Forced Logout from all FLOW Clients
Disconnect users from FLOW applications to free up licenses, optimizing use for production resources.
Metadata and Mapping
Support for import of .mxf/.r3d file samples for mapping configuration. Key for customers using Avid workflows, reveals internal metadata contained within supported media files, allowing quick configuration of metadata-mapping into FLOW custom fields.
Support for import and mapping of sidecar XML to non-video files, such as still images, enables facilities with large still libraries and other non-video collections to migrate seamlessly to FLOW to be ready for production.
Video Previews Available for Real-time Preview of SDI/NDI
‘Live’ monitoring, configuration, and workflow management.
Support for the preview of live ingest sources in web applications.
Integration with Mobius Vision AI – Facial Recognition
Saves FLOW users time reviewing and tagging content.
Comprehensive database includes thousands of celebrities and public figures.
Ability to augment the database with a custom collection of faces for detection.
Support for the latest Archiware Release
Optimized for large file counts in transfer.
Users can easily archive and restore assets from FLOW tools supporting accurate source path preservation and tape barcode metadata tracking.
EFS Key Enhancements
EFS Control: Advances in our new Web-Based UI with User Groups Support
View user group membership in the sidebar.
View and search media spaces to which each group has been assigned.
Add and remove groups to and from media spaces.
Support for exporting any table view (e.g., the list of spaces and users) as a CSV file.
Active Directory
Support for legacy operation of a single group for all active directory accounts.
Audit and Monitor
View summary of real-time read and write bandwidth data to manage user traffic and prioritize bandwidth for high priority tasks.
EFS Storage Optimization
Default speed for EFS background operations is 20X faster, making the system more efficient when adding a new storage node.
Ability to immediately utilize replication goals for new media spaces without rebooting.
“Our commitment to customer success drives our roadmap,” comments Sunil Mudholkar, vice president of product management, EditShare. “This release of EditShare software enhances support for large-scale installations and complex workflows where customers need greater control without losing the nimble flexibility, making EFS and FLOW even easier to use on a day-to-day basis.”
About EditShare EditShare is a technology leader that enables collaborative media workflows on-premise, in the cloud, or in a hybrid configuration. With customer and partner success at the heart of EditShare’s core values, our open software solutions and robust APIs improve workflow collaboration and third-party integrations across the entire production chain, ensuring a world-class experience that is second to none. The high-performance software lineup includes media optimized shared storage management, archiving and backup, and media management, all supported with open APIs for extensible integration.
Press Contact Cat Soroush Zazil Media Group (e) catherine@zazilmediagroup.com (p) +1 (631) 880-9534
EFS media platform provides video professionals a powerful collaboration and storage solution
Beijing, China – June 23, 2021 – EditShare®, a technology leader that specializes in collaboration, security, and intelligent storage solutions, today announced that it has deployed its EditShare EFS solution at Malanshan Video Cultural and Creative Industry Zone (The Zone). Located in Changsha, China, The Zone is known as a “World Media Arts City” that integrates creativity, culture, and technology into the fabric of its community. As the cultural epicenter of China, The Zone draws filmmakers and artists, boasting a thriving digital media market. The EFS solution, which was installed by EditShare partner Thinktone Technology at the park’s main creative hub, integrates with a wide range of production and post production solutions including key editing applications Adobe® Premiere® Pro, Avid Media Composer®, Apple Final Cut Pro® X and Blackmagic Design’s DaVinci Resolve.
“Media production is fluid and collaborative. In order to achieve full artistic expression, you need a foundation that connects artists with tools to fuel the creative workflow process,” Alan Dishington, vice president of sales for Asia Pacific, EditShare. “EditShare has always designed products that prioritize creative users with no compromise on technology. Creative professionals are abstracted from the complexity of modern media management while the technology at the heart of the EditShare products is designed to the very best principles of software engineering. All of this is wrapped in the imperative that our systems are open and scalable in order to adapt to future requirements.”
About EditShare EFSMedia Engineered Storage Powering faster EditShare storage nodes and networks, EFS enables media organizations to build extensive HD, 4K, and 8K collaborative workflows. To the end-user, EFS is a fast and flexible, collaborative, easy-to-use, storage space with an incredible throughput performance. To the engineers who manage it, EFS offers a scalable, stable, and incredibly secure media storage platform. Unlike generic IT storage systems, EditShare has written its own efficient drivers for EFS, for use with Windows, MacOS and Linux. Users access more real-time video streams, without the bottlenecks caused by legacy network protocols.The open platform features robust APIs for extensive integration and workflow optimization.
The EFS product line offers solutions for on-premise, hybrid and cloud-based workflows. Other feature highlights include:
EFS Single Namespace – a distributed file system designed to scale at will, while retaining a single namespace across tiered storage.
EFS Native Drivers – native client drivers substantially increase bandwidth and reduce latency across the network.
EFS Auditing – real-time analytics for every nuance of your valuable content’s journey.
EFS APIs – restFul API’s for simple but powerful integration with third party applications and services.
EFS Fault Prevention – distributed file system, writing content and giving protection across multiple nodes that intelligently replicates data as often as needed without negatively impacting performance.
Active directory integration with SSO
EFS High Availability – extreme reliability, and with no single point of failure, facility managers and administrators can have peace of mind in 24/7 environments such as broadcast playout centers.
Support for Industry Creative Applications – support for video and audio editing applications, color grading and visual effects solutions including Adobe, Apple Autodesk, Avid, Blackmagic Design and Sony.
For more information on EditShare solutions, please visit the website at www.editshare.com
About EditShare
EditShare is a technology leader in networked shared storage and smart workflow solutions for the production, post-production, new media, sports, and education markets. Whether you need on-prem, cloud, or hybrid solutions, our products improve efficiency and workflow collaboration every step of the way. They include media optimized high-performance shared storage, archiving and backup software, a suite of media management tools and a robust set of open APIs that enable integration throughout the workflow. Customer and partner success are at the heart of EditShare’s core values ensuring a world-class experience that is second to none.
EFSv streamlines production with remote workflow flexibility
Boston, MA – June 8, 2021 –EditShare®, a technology leader that enables collaborative media workflows for storytellers, today announced that public media producer GBH, the largest content creator for PBS, has invested in EditShare’s EFSv cloud solution, hosted in Amazon Web Services, to modernize media workflows across its post-production operations. An early adopter of cloud technologies for its broader IT needs, GBH’s move to EFSv extends video production into the cloud, maximizing operational efficiencies and reducing overall costs. The open EFSv platform facilitates both hybrid and cloud post-production workflows which optimize content access and enhance the user experience for video editors who create critically acclaimed programs such as NOVA, ANTIQUES ROADSHOW and AMERICAN EXPERIENCE and for PBS’ WORLD Channel.
“We require adaptable, efficient media systems for all of our clients,” said Tim Mangini, senior director of production technology for GBH. “EditShare’s cloud solution gives our producers flexibility and scalability. They can work wherever they want, with whomever they want, whenever they want, and only pay for the resources they actually use. They upload their media once and work from anywhere as if they were working in any GBH edit suite.”
EditShare’s approach to open platform development, specifically its support for multiple cloud providers and public APIs for integration and workflow expansion, was a key factor in GBH’s decision to select EFSv. Additionally, access to key technologies, such as artificial intelligence and content usage analytics will enable GBH to unleash new media workflows.
“Shifts in video production require more agility and demand the ability to accommodate changing work habits. As GBH embraces those shifts, open and flexible cloud-based solutions enable new workflows while protecting the investments made in on-premise platforms,” comments Tracy Geist, chief marketing officer, EditShare. “EFSv offers GBH as well as our other customers the best of both worlds, providing frictionless storytelling workflows that are flexible and secure, while accommodating change.”
About EFSv Cloud Solution
EFSv redefines the economics of editing in the cloud while significantly enhancing the user experience. The tiered solution approach supports customers at every stage of their journey to the cloud. Offerings include cloud-based backup solutions that serve as the foundation for building cost-effective, distributed cloud editing and seamless proxy editing workflows, up through full production environments in the cloud. EditShare’s cloud innovations offer unparalleled flexibility, allowing customers to easily adapt to cloud or hybrid environments and benefit from a lower total cost of ownership.
EditShare is a technology leader in networked shared storage and smart workflow solutions for the production, post-production, new media, sports, and education markets. Whether you need on-prem, cloud, or hybrid solutions, our products improve efficiency and workflow collaboration every step of the way. They include media optimized high-performance shared storage, archiving and backup software, a suite of media management tools and a robust set of open APIs that enable integration throughout the workflow. Customer and partner success are at the heart of EditShare’s core values ensuring a world-class experience that is second to none.
