EFS 媒体平台为视频专业人士提供强大的协作和存储解决方案
中国北京 – 2021 年 6 月 23 日 – 专业从事协作、安全和智能存储解决方案的科技领先企业 EditShare® 今日公告称，EditShare EFS 解决方案已在马栏山视频文创产业园（“产业园”）成功部署。产业园位于中国长沙，被誉为集创意、文化、科技于一体的“世界媒体艺术之都”。作为中国的文化中心，产业园吸引了众多的电影制作人和艺术工作者，推动了数字媒体市场的蓬勃发展。EFS 解决方案由 EditShare 的合作伙伴 Thinktone Technology 安装在园区主创作中心，集成了包括关键编辑应用程序 Adobe® Premiere® Pro、Avid Media Composer®、Apple Final Cut Pro® X 以及 Blackmagic Design’s DaVinci Resolve 在内的一系列制作和后期制作解决方案。
“媒体制作具有流动性和协作性。为了达到充分的艺术表现力，需要一个能够将艺术工作者与多种工具相连接起来的基础设施来推进创作工作流程，”EditShare 亚太地区销售副总裁 Alan Dishington 表示，“EditShare 设计的产品始终优先考虑创作用户的需求，但在技术上不作任何妥协。专业的创作人员从复杂的现代媒体管理中解放出来，EditShare 产品的核心技术则是按照软件工程的最佳原则设计的。所有这些都要求我们的系统必须是开放的、可扩展的，以适应未来的需求。”
关于 EditShare 的 EFS Media Engineered Storage
EFS 支持更快的 EditShare 存储节点和网络，让媒体企业能够构建广泛的 HD、4K 和 8K 协作工作流程。对终端用户来说，EFS 是一个快速、灵活、协作、易于使用的存储空间，具有令人难以置信的吞吐能力。对于管理它的工程师来说，EFS 提供了一个可扩展的、稳定的、极其安全的媒体存储平台。
与一般的 IT 存储系统不同，EditShare 为 EFS 编写了自有的高效驱动程序，适用于 Windows、MacOS 和 Linux 操作系统。用户可以访问更多的实时视频流，而不会出现传统网络协议造成的瓶颈问题。这种开放的平台具有可进行广泛集成和工作流优化的稳健 API。
EFS 产品系列可为本地、混合和基于云的工作流提供解决方案。
其他突出功能包括：
- EFS 单一名称空间——可随意扩展的分布式文件系统，同时在分层存储中保留单个名称空间。
- EFS 本机驱动——本机客户端驱动程序，大大提高了带宽并减少了整个网络的延迟。
- EFS 审核——对每个用户所珍视的内容的细微差别进行实时分析。
- EFS API——用于与第三方应用程序和服务进行简单而强大集成的 restFul API。
- EFS 故障预防——分布式文件系统，跨多个节点写入内容并提供保护，根据需要智能复制数据而不会对性能产生不利影响。
- 活动目录集成 SSO
- EFS 高可用性——极高可靠性且无单点故障，让设施经理和管理员面对一周七天全天候的环境（例如广播播出中心）也能高枕无忧。
- 支持行业创作应用程序——支持视频和音频编辑应用程序、颜色分级和视觉效果解决方案，包括 Adobe、Apple Autodesk、Avid、Blackmagic Design 和 Sony 等。
如需有关 EditShare 解决方案的更多信息，访问网站 www.editsharechina.cn
关于 EditShare
EditShare 是联网共享存储和智能工作流解决方案的领先科技企业，产品广泛应用于制作、后期制作、新媒体、体育和教育市场。无论您需要的是本地、基于云的或是混合解决方案，我们的产品在每一步都能提高效率和工作流程协作。这些产品包括媒体优化的高性能共享存储、存档和备份软件、全套媒体管理工具以及支持在整个工作流集成的一组稳健开放式 API。客户和合作伙伴的成功是 EditShare 价值观的核心，确保为用户提供一流的产品体验。
©2021 EditShare LLC. 保留所有权利。EditShare® 是 EditShare 的注册商标。
媒体联络
Cat Soroush
Zazil Media Group
电子邮箱：catherine@zazilmediagroup.com
手机：+1 (631) 880-9534
EFSv streamlines production with remote workflow flexibility
Boston, MA – June 8, 2021 – EditShare®, a technology leader that enables collaborative media workflows for storytellers, today announced that public media producer GBH, the largest content creator for PBS, has invested in EditShare’s EFSv cloud solution, hosted in Amazon Web Services, to modernize media workflows across its post-production operations. An early adopter of cloud technologies for its broader IT needs, GBH’s move to EFSv extends video production into the cloud, maximizing operational efficiencies and reducing overall costs. The open EFSv platform facilitates both hybrid and cloud post-production workflows which optimize content access and enhance the user experience for video editors who create critically acclaimed programs such as NOVA, ANTIQUES ROADSHOW and AMERICAN EXPERIENCE and for PBS’ WORLD Channel.
“We require adaptable, efficient media systems for all of our clients,” said Tim Mangini, senior director of production technology for GBH. “EditShare’s cloud solution gives our producers flexibility and scalability. They can work wherever they want, with whomever they want, whenever they want, and only pay for the resources they actually use. They upload their media once and work from anywhere as if they were working in any GBH edit suite.”
EditShare’s approach to open platform development, specifically its support for multiple cloud providers and public APIs for integration and workflow expansion, was a key factor in GBH’s decision to select EFSv. Additionally, access to key technologies, such as artificial intelligence and content usage analytics will enable GBH to unleash new media workflows.
“Shifts in video production require more agility and demand the ability to accommodate changing work habits. As GBH embraces those shifts, open and flexible cloud-based solutions enable new workflows while protecting the investments made in on-premise platforms,” comments Tracy Geist, chief marketing officer, EditShare. “EFSv offers GBH as well as our other customers the best of both worlds, providing frictionless storytelling workflows that are flexible and secure, while accommodating change.”
About EFSv Cloud Solution
EFSv redefines the economics of editing in the cloud while significantly enhancing the user experience. The tiered solution approach supports customers at every stage of their journey to the cloud. Offerings include cloud-based backup solutions that serve as the foundation for building cost-effective, distributed cloud editing and seamless proxy editing workflows, up through full production environments in the cloud. EditShare’s cloud innovations offer unparalleled flexibility, allowing customers to easily adapt to cloud or hybrid environments and benefit from a lower total cost of ownership.
For more information on how EditShare cloud solutions can enhance your media operation, please visit: https://editshare.com/journeytothecloud/.
About EditShare
EditShare is a technology leader in networked shared storage and smart workflow solutions for the production, post-production, new media, sports, and education markets. Whether you need on-prem, cloud, or hybrid solutions, our products improve efficiency and workflow collaboration every step of the way. They include media optimized high-performance shared storage, archiving and backup software, a suite of media management tools and a robust set of open APIs that enable integration throughout the workflow. Customer and partner success are at the heart of EditShare’s core values ensuring a world-class experience that is second to none.
©2021 EditShare LLC. All rights reserved. EditShare® is a registered trademark of EditShare.
Press Contact
Cat Soroush
Zazil Media Group
(e) catherine@zazilmediagroup.com
(p) +1 (631) 880-9534
Ministries create engaging content that expands beyond the in-house gatherings to the hundreds of thousands of congregants looking to connect online
Boston, MA – April 29, 2021 – EditShare®, a technology leader that specializes in collaboration, security, and intelligent storage solutions, has been chosen by several large-scale houses of worship to provide each unique operation with an enterprise-strength media platform to sustain the fast-growing audiences seeking their church experiences online. The Potter’s House in Texas, World Changers Church International in Georgia, and Hillsong Church in Australia are using EditShare’s EFS shared storage and FLOW media management to facilitate their hybrid video content management system needs and increase programming to boost engagement with congregants, anywhere and everywhere.
“With the shift to online, connecting with our congregants in the digital world has become even more important. We want to share stories in a way that when they are seen, our members understand how we are giving back to the community. In order to engage congregants on this level, we needed to do more than stream Wednesday and Sunday services. We needed to think about the production value. Everything from the music we choose, to the way we light the scene, to how we shoot and layer in graphics to create an experience that our online congregants can engage with,” states Antao Tywii Ayers-Allen, TV Production, The Potter’s House of Dallas. “There are many moving parts in these stories and EditShare helps us manage all of the parts in a way that we can easily index, search, use, collaboratively edit, and archive for later use. It’s a media foundation that enables us to get to the next level of production.”
Ministries are using EditShare solutions to produce and deliver church services as well as pre-recorded studio shows, documentaries, commercials, and educational programs over traditional, digital, and social channels. Unlike “traditional” networks, these shows, conferences, and podcasts are produced all in-house. Similar to conventional OTT streaming services, some ministries offer yearly subscriptions to their branded channel.
“The day-to-day media operations of large-scale ministries increasingly resemble that of a fully-fledged 24/7 broadcast network with thousands of hours of content to manage,” states Tracy Geist, chief marketing officer, EditShare. “Using an ‘off the shelf’ non-media solution to store and manage the content is not an option. EditShare provides the media optimized workflow infrastructure that enables them to redefine the content strategy and deliver the engaging experience they want for those attending the service in person or connecting online.”
According to Barna research, 70% of churchgoers agree that even after the pandemic, houses of worship should continue to use digital resources to engage with congregants. EditShare’s media platform is the basis for cutting-edge workflows that are instrumental in helping houses of worship create engaging content at a higher quality. In what is likely in the future to be a “hybrid” model, where congregants participate in services both at the church and online, EditShare is the proven, optimized and productive foundation for large-scale video content production.
The lead Engineer for The Potter’s House TV Department, Fletcher Garrett, explains the importance of a workflow platform: “Engineers at houses of worship with responsibilities ranging from TV broadcasts, streaming and social media content want to know, ‘How do I record live services and performances, and get it ready for distribution as fast as possible?’ This all comes back to the media platform you plug your cameras and editing system into. EditShare provides the automation and workflow efficiencies that let you capture directly to storage, automate tagging of content, making it immediately searchable to your editors for packaging and distributing over traditional, digital, and social channels. What is paramount is that the media system is secure, stable and dependable and I have found that EditShare’s systems meet those demands!”
In addition to facilitating production and post production media workflows for short and long form studio and live programs, ministries are using the advanced AI features of FLOW for speech to text transcription on every piece of video recorded. FLOW automates the logging, making it easily searchable and instantly available for repurposing and sharing. Geist adds, “One of the biggest challenges is logging the massive amount of content these productions capture in a way that you can quickly and easily locate that special moment or important message. The AI capabilities of FLOW automate the entire transcription and logging process so editors can turn out more personalized programs faster.”
Want to get started with EditShare? Click here to get in touch.
About EditShare
EditShare is a technology leader in networked shared storage and smart workflow solutions for the production, post-production, new media, sports, and education markets. Whether you need on-prem, cloud, or hybrid solutions, our products improve efficiency and workflow collaboration every step of the way. They include media optimized high-performance shared storage, archiving and backup software, a suite of media management tools and a robust set of open APIs that enable integration throughout the workflow. Customer and partner success are at the heart of EditShare’s core values ensuring a world-class experience that is second to none.
©2021 EditShare LLC. All rights reserved. EditShare® is a registered trademark of EditShare.
Press Contact
Cat Soroush
Zazil Media Group
(e) catherine@zazilmediagroup.com
(p) +1 (631) 880-9534
FLOW and EFS provide campus-wide cloud-based media management and open storage for renowned educational institution
Boston, MA – December 3, 2020 – EditShare®, a technology leader that specializes in collaboration, security, and intelligent storage solutions, today announced that the UK’s National Film and Television School (NFTS) is standardizing its post-production, content delivery, and storage operations on EditShare’s EFS open shared storage solution and FLOW media management platform. By replacing its aging shared-storage platform with a mix of on-premise and cloud-based technologies, the prestigious NFTS, one of the world’s leading film, television and games schools, will increase productivity and more efficiently manage and share the content being created by staff and students.
Founded in 1971, and based at Beaconsfield Studios in Beaconsfield, Buckinghamshire, England, the School offers more than 30 post-graduate level courses across the film, television and gaming disciplines, including camera operations, directing, cinematography, sound, script supervision, and production accounting. The school realized it needed to update its current system, while implementing open, logical, and automated methods of file and project management.
NFTS has always taken pride in its earlier reputation as a “slightly anarchical” community of filmmakers, but just as that culture over time settled into a more organized and formalized environment, its technology and production infrastructures needed to follow suit, according to Doug Shannon, head of IT for NFTS.
“When I began here, there was no network,” said Shannon, who brought a professional background in post-production when he joined the School 20 years ago. “Everyone simply passed hard drives around by hand. We needed greater consistency and a more open production environment. Initially we moved to simple, departmental servers. Then, five years ago, we first moved to dedicated shared editing storage, but that system had come to the end of its usable life, with the support contract becoming unsustainably costly. It was time to move on.”
In addition to continually enhancing productivity and efficiency, NFTS is focused on giving its students a diverse educational experience with hands-on access to the latest generation of production tools used by professionals today.
“We aim to emulate real life as much as possible,” Shannon said. “Our students come here already knowing what they want to do, so they work with teams of specialists, much like any professional environment. It’s less about technology and more about helping people work to achieve their best within each role.”
NFTS was looking for an open media management and storage foundation to easily allow the use of multiple creative editorial and finishing tools. The School will use EFS and FLOW to support a range of connected solutions for editing, grading, animation and more.
“Companies have realized they have to be open,” Shannon said. “The proprietary world is gone. For us, openness was both an assumption and a requirement.”
He added that the EFS and FLOW systems help production teams adapt quickly to the different camera systems NFTS uses from Arri, Sony, RED and Blackmagic. “For example, FLOW supports formats in a clever way and doesn’t have to break up RED files into blocks.”
Security and remote collaboration were also key factors, especially with the school and the rest of the world still in some phase of COVID-related lockdown. “We needed something to help us work beyond our physical boundaries and give us the ability to look at rushes when working remotely,” Shannon said, adding the virtualized version of FLOW and AirFLOW are the perfect match for the school’s fast-turnaround production and review cycles. EFS underpins the on-premise and remote production workflow with best practice security file tracking to answer who did what and when.
With the EFS system in place, total shared editing storage at NFTS has increased from 490TB to 2.2PB, more than enough to meet the School’s current and even future requirements.
“Our enrollment is quite small at 500 students per year and we don’t see those numbers growing exponentially, so it’s an easy equation,” he said. “Most of our workspaces are around 10TB and an average film is 5 to 10 TB, with around 120 films in production and post-production at any one time. Also, using the Ark storage software is the easiest way to back-up an entire project. EditShare gives us a complete media production workflow. Everything you need for a film is there.”
“EditShare has worked alongside universities since its inception and understands the unique and highly diverse needs of faculty and students and have purpose built, yet open, solutions that sustain the academic setting while mimicking a real-world situation,” states Robin Adams, vice president EMEA sales, EditShare. “This insight and crafted solution, paired with EditShare’s cloud innovation, will help teachers and students hurdle the unprecedented challenges this year has brought and continue to connect, teach, learn, and create amazing together.”
For more information on EditShare solutions, please visit the website at www.editshare.com
About the National Film and Television School (NFTS)
Variety’s Top UK Film School 2020 and recipient of the 2018 Outstanding Contribution to British Cinema BAFTA, the NFTS is one of the world’s leading film, games and television schools. NFTS alumni have gone on to win 13Oscars and 145 BAFTAs with graduates including: double Oscar winning cinematographer Roger Deakins (1917) creator of global Netflix hit Sex Education Laurie Nunn and BAFTA winning director, Lynne Ramsay (You Were Never Really Here). The NFTS is a registered charity (313429). For more information see nfts.co.uk
About EditShare
EditShare is a technology leader in networked shared storage and smart workflow solutions for the production, post-production, new media, sports, and education markets. Whether you need on-prem, cloud, or hybrid solutions, our products improve efficiency and workflow collaboration every step of the way. They include media optimized high-performance shared storage, archiving and backup software, a suite of media management tools and a robust set of open APIs that enable integration throughout the workflow. Customer and partner success are at the heart of EditShare’s core values ensuring a world-class experience that is second to none.
©2020 EditShare LLC. All rights reserved. EditShare® is a registered trademark of EditShare.
Press Contact
Cat Soroush
Zazil Media Group
(e) catherine@zazilmediagroup.com
(p) +1 (631) 880-9534
UK’s top-tier post-production company selects EditShare’s automation, security and storage platform to increase future production efficiencies and add new services
Boston, MA – November 12, 2020 – EditShare®, a technology leader that specializes in collaboration, security, and intelligent shared storage solutions, today announced that leading UK post-production house Clear Cut Group, comprising of Clear Cut Pictures, The Edit Store and Clear Cut Nations and Regions, has made the decision to place EditShare’s next generation media storage EFS at the center of their operation with FLOW workflows significantly increasing the services offered to clients. The award-winning post-production team is known for their outstanding creative work on original factual, drama, short form and feature films. Producing content for global broadcasters, multiple co-productions, and OTT, the 24/7 operation boasts more than 120 edit suites on site and, since lockdown, has supported over 400 remote editors, clients and staff. Always noted for their innovative and flexible services, Clear Cut Group is building on its successful technology approach by adopting the high-tech but proven EditShare platform, maintaining its ability to work at the cutting edge of the most demanding distributed post-production workflows. EditShare expands storage and opens doors to new innovative service offerings and efficiencies that immediately benefit clients.
“With EditShare, you are buying a storage solution with so much more,” comments Jess Nottage, Technical Director, Clear Cut Group. “It ticks all of the boxes in terms of reliability, performance and capability, but it’s the extras, designed to enhance the creative process that will make us stand out from our competitors. EditShare’s FLOW, EFS and File Auditing platforms, enable us to expand our service offering with innovative creative solutions that benefit our clients without compromising on security. It’s a media foundation to underpin our business.”
With more high-profile projects produced in 4K, EFS media engineered storage architecture and file auditing capability gives Clear Cut Group the scalable capacity and enterprise-grade security they require. Native OS drivers eliminate data bottlenecks, while comprehensive file tracking provides a complete audit trail for content within the system, providing clear insight into users’ activities, including who accessed content, when they did it and where. With FLOW media management in action across all Clear Cut Group locations, the company has a new level of automation and remote capability that delivers new and innovative services for clients. Clear Cut Group’s Managing Director Rowan Bray explains, “We are only as good as our solutions we offer our clients. Every project is bespoke and thus, we approach each one uniquely. That uniqueness is inherent in EditShare products and people. EditShare is totally focused on creating fit for purpose solutions for its customers and a company where we feel we have a voice. This is more than a purchase, it’s a joint venture.”
Collaborating to #wintogether, the EditShare team worked closely with Clear Cut Group to ensure solutions and services supported the vision for the technical uplift with opportunities for future expansion through EditShare’s open APIs. Jess concludes, “Offering open APIs tells us a lot about the company and its culture. We are not locked in and that is attractive. If you want to do something, EditShare will enable it regardless of the vendor product with a can-do attitude.”
“We work with our customers on every level to ensure EditShare’s open solutions bring the resiliency they require to navigate the constant change in which they live,” states Robin Adams, vice president EMEA sales, EditShare. “It’s a true partnership in which customers are empowered and feedback has a direct impact on product evolution to ensure EditShare delivers the industry’s best performing media management capabilities and open storage platform.”
For more information on EditShare’s FLOW and EFS solutions, please visit https://editshare.com/products/flow-media-management/ and https://editshare.com/products/efs-storage/.
About Clear Cut Group
Clear Cut Group comprises four companies: Clear Cut Pictures, The Edit Store (acquired by Clear Cut Pictures in January 2019), Clear Cut Nations & Regions (providing post production outside the M25), and ClearMotion (for VFX). Established in 1993, the business is renowned for providing highly creative post-production to a wide range of broadcasters and production companies. Offering full end-to-end post-production across four sites in London and across the regions, with location services as needed, Clear Cut offers 4K, HDR and SDR capabilities with bespoke solutions to deliver content to screen. The Group offers over 120 suites across their locations, as well as remote services, most recently exceeding 400 remote users of their edit suites since lockdown.
Contacts for Clear Cut Group:
Rowan Bray
Managing Director
Clear Cut Group
(e) rowan@clearcut.cc
(p) 020 7605 1755
Jess Nottage
Technical Director
Clear Cut Group
(e) jess.nottage@clearcut.cc
(p) 020 7605 1747
About EditShare
EditShare is a technology leader in networked shared storage and smart workflow solutions for the production, post-production, new media, sports, and education markets. Whether you need on-prem, cloud, or hybrid solutions, our products improve efficiency and workflow collaboration every step of the way. They include media optimized high-performance shared storage, archiving and backup software, a suite of media management tools and a robust set of open APIs that enable integration throughout the workflow. Customer and partner success are at the heart of EditShare’s core values ensuring a world-class experience that is second to none.
©2020 EditShare LLC. All rights reserved. EditShare® is a registered trademark of EditShare.
Press Contact
Cat Soroush
Zazil Media Group
(e) catherine@zazilmediagroup.com
(p) +1 (631) 880-9534
