December 16, 2025

George Blood LP Scales Preservation to New Heights with EditShare NVMe Storage

When you walk into George Blood LP’s facility in Fort Washington, Pennsylvania, it feels like stepping into both a high-tech lab and a living museum. Walls lined with equipment spanning decades of media history tell the story of a company that says “yes” to any preservation challenge. From rare audio formats to 4K film, George Blood LP has built a reputation for solving problems others can’t.

That relentless approach has fueled rapid growth. What started as an audio preservation shop has expanded into large-scale film and video digitization, serving clients as varied as national broadcasters, universities, cultural foundations, and the Library of Congress. Over the last decade, workloads have multiplied several times over, pushing the company’s infrastructure to its limits.

At a glance

Customer: George Blood LP (Fort Washington, PA)

Industry: Media preservation and digitization (audio, video, film, data)

Challenge: Legacy SAN could not sustain increasing throughput demands, leading to dropped frames, daily bottlenecks, and end-of-life hardware.

Solution: Deployment of EditShare Ultimate NVMe storage nodes

Results:

  • Daily ingest capacity increased to 30–50 TB, including 2K and 4K film scans
  • 16 GB/s sustained writes achieved in stress testing
  • No bottlenecks across ingest, rendering, or delivery workflows
  • Enabled growth without sacrificing high-fidelity restoration quality

Hitting the Wall with Legacy Storage

For years, George Blood LP relied on a 300TB spinning disk SAN connected via a mix of fiber and SMB protocols. As demand grew, throughput requirements ballooned from 8–10 terabytes a day to as much as 50. Multiple film scanners, video ingest rooms, rendering, QC, and delivery workflows all competed for bandwidth. The result: dropped frames, bottlenecks, and engineers fighting the system instead of focusing on the work.

“Our existing storage just couldn’t sustain what we were asking of it,” recalled Jared Gibson, Video Team Lead at George Blood LP. “We needed speed, stability, and capacity to keep growing.”

A Partner-Led Search for a New Backbone

Working with Key Code Media, a nationwide systems integrator which has supported George Blood for many years. George Blood LP evaluated multiple storage vendors. Sustained high-speed ingest, heavy simultaneous reads/writes, and reliability across dozens of connected clients were non-negotiable.

Key Code Media recommended EditShare, and testing quickly proved it was the right fit. Verified by LaserGraphics as the only storage capable of handling its scanners’ performance requirements, EditShare provided the reliability and throughput George Blood LP needed.

Performance That Changed Everything

From the moment the EditShare Ultimate NVMe nodes went live, the results were clear. “We pushed the system as hard as we could, and we couldn’t break it,” said Gibson. “In stress tests we sustained 16 gigabytes per second in writes, well above our expectations. With our previous SAN, we were constantly dropping frames and struggling to keep up. With EditShare, the bottlenecks are gone.”

The system now supports massive daily ingest across multiple 2K and 4K film scanners, high-volume video rooms, rendering, QC, and delivery processes, all without faltering. Stress tests with more than 80 clients confirmed stability far beyond normal workloads, providing headroom for years of continued growth.

Enabling Growth Without Compromise

The performance leap has unlocked a new level of capability. George Blood LP can now sustain high-volume digitization while maintaining the precision restoration quality that made their name. “I’m just so enamored by the performance of the storage,” said Jared Gibson. “It’s brought so much relief to the team, our growth and our hardware are now in sync and that changes everything.”

George Blood’s unique market position combines the ability to handle bulk digitization with the high fidelity expected of specialist restoration houses. “We can take on a semi-truck of media and still deliver at the highest quality,” said George Blood, President of George Blood LP. “We’re proud to combine scale with the care these collections deserve, and EditShare has given us the infrastructure we needed to meet the demand.”

About George Blood LP

George Blood LP is a leading provider of preservation and digitization services, specializing in audio, video, film, and data. With clients worldwide, the company is trusted by major broadcasters, universities, government agencies, and cultural institutions to safeguard irreplaceable media. Learn more at www.georgeblood.com.gh a Storage DNA MAM, that sits on top of our whole environment, and bring those assets back down again and deep archive on LTO on completion of a project. Editshare offers us better workflows with less human time and more automation.”

“We can take on a semi-truck of media and still deliver at the highest quality.”

— George Blood, President, George Blood LP
George Blood with Julia Crowe, EditShare Regional Sales Manager with some of their historical recording equipment

For more information on EditShare solutions, please click here to get in touch.

New storage backbone drives major throughput gains for large-scale digitization.

Boston, MA, 16 December 2025: George Blood LP, a leading provider of audio and video preservation services, has deployed EditShare’s high-performance Ultimate NVMe storage nodes to power its rapidly expanding digitization and restoration workflows.

EditShare Ultimate NVMe

The investment in EditShare’s NVMe solution enables George Blood LP to meet the surging demand for film and video preservation without sacrificing quality. The company, which handles projects for broadcasters, universities, government agencies, and cultural institutions worldwide, is now digitizing up to 50 terabytes of content daily, including 2K and 4K film scans alongside high-volume audio transfers.

“We pushed the system as hard as we could, and we couldn’t break it,” said Jared Gibson, Video Team Lead at George Blood LP. “In stress tests we sustained 16 gigabytes per second in writes,  well above our expectations, with total stability. With our previous SAN, we were constantly dropping frames and struggling to keep up. With EditShare, the bottlenecks are gone.”

“George Blood LP is one of the most unique customers we’ve worked with,” said Julia Crowe, Regional Sales Manager, EditShare. “Their workflows are highly customized, and the fact that our storage slotted in and delivered the performance they needed shows how adaptable and powerful the system really is.”

LaserGraphics film scanner

Key Code Media, a nationwide systems integrator and long-time EditShare partner, led the installation with its New York team and continues to provide ongoing service through its Key Code Total Care program.  The system was validated within George Blood’s advanced infrastructure, including LaserGraphics and MWA film scanners, where EditShare consistently delivers the speed and reliability required for demanding film digitization workflows. EditShare is the only storage vendor verified by LaserGraphics to handle the performance demands of its scanners.

George Blood’s unique market position combines the ability to handle bulk digitization with the high fidelity expected of specialist restoration houses. “We can take on a semi-truck of media and still deliver at the highest quality,” said George Blood, President of George Blood LP. “We’re proud to combine scale with the care these collections deserve, and EditShare has given us the infrastructure to keep growing.”

For more information on EditShare solutions, please click here to get in touch.

George Blood with Julia Crowe, EditShare Regional Sales Manager with some of their historical recording equipment

About EditShare

EditShare is an Emmy Award-winning technology leader, supporting storytellers through collaborative media workflows across on-premise, cloud and hybrid architectures. It offers scalable storage and collaboration for media businesses and at every stage of the video production process from storyboarding to screening. 

The software is inherently open, encouraging workflow collaboration, third-party integrations and content sharing across the entire production chain. Where required, the software is backed by high performance, high availability designed specifically for the demands of media storage, management and delivery. The comprehensive offering covers multi-level content storage for production and post, along with innovative asset and workflow management software, plus specialized and highly valued tools for content review and distribution, the creation of customized and branded pitch reels, and secure preview of high-value pre-release content. 

About George Blood LP
George Blood LP is a leading preservation and digitization company specializing in audio, video, film, and data. Serving clients worldwide, including libraries, broadcasters, universities, and archives, George Blood LP combines technical expertise with a deep commitment to cultural preservation.

For more information about George Blood LP’s preservation services, visit www.georgeblood.com

©2025 EditShare LLC. All rights reserved. EditShare® is a registered trademark of EditShare.

Press Contact
Katharine Guy
katharine.guy@editshare.com

As we near the end of the year, it’s a great time to look back on the most-read and most impactful content from the EditShare blog. These five posts resonated the most with readers in 2025, covering everything from remote production and media automation to next-generation archiving and platform evolution. Below is a quick recap of each. Make sure to click through for a deeper dive.

Killer Remote Workflows

5. Killer Remote Workflows for Hybrid Video Production Teams

In this piece, EditShare lays out how modern production teams can break free from monolithic, location-based workflows and adopt flexible, hybrid remote approaches. The article highlights the synergy between the Ultimate EFS Field Unit, ZeroTier VPN integration, and FLOW Automation to make remote collaboration feel local. 

4. Streamlining Media Management with Automation

This post explores how media teams can offload repetitive, manual tasks by embedding automation into their workflows. From auto-ingest and transcoding to metadata assignment and file routing, the article argues that workflow automation isn’t a nice-to-have; it’s essential for scaling. 

Understanding Codecs in Broadcast and Post Production

3. Understanding Codecs in Broadcast and Post-Production

A foundational read, this blog breaks down how codecs work, why they matter, and what trade-offs media teams should be aware of. It includes examples of codecs and topics such as compression losses and their real impact on storage, bandwidth, and editing workflows. For anyone working between camera and delivery, this is essential background.

2. LTO 10 Is Here, and It’s a Big Step Forward for Archiving

Tape may not seem exciting, but when your archive needs to survive for decades, it matters a lot. This blog introduces LTO 10 and what it brings to the archival table, namely, up to 36 TB raw per cartridge and future-proofing for large media libraries. It also discusses how EditShare’s ARK solution integrates with LTO 10 and what challenges (like backward compatibility) remain.

FLOW AI Logging

1. The Rebirth of FLOW

The top post of 2025 explains EditShare’s strategic move from multiple desktop client apps toward a unified, web-based platform under EditShare One. The article, written by Lucy Seaborne, FLOW’s Product Manager, lays out the rationale—improved accessibility, reduced IT overhead, scalability, and a streamlined UX. It’s a manifesto of where FLOW (and EditShare) will go in the years ahead.

Looking Ahead

These blog posts reflect EditShare’s evolving focus in 2025: enabling remote workflows, putting automation at the core, expanding archival capacity, and modernizing platform architecture.

As the year comes to a close, we want to thank our readers, customers, and partners for being part of the EditShare community. Your creativity and collaboration continue to inspire everything we do. Enjoy the holiday season, recharge, and come back ready for what’s next. We’ve got some exciting things in store for 2026, and we can’t wait to share them with you.

Enhanced performance and expanded capacity support the school’s growing project load and evolving production training.

Boston, MA, 4 December 2025: EditShare, the technology leader in intelligent shared storage and media management, today announced that The National Film and Television School (NFTS) has completed a major refresh of its EditShare environment, expanding the school’s tiered storage, boosting performance for high-end editorial work and introducing MediaSilo for secure review and approvals. The project was delivered in partnership with Jigsaw24 Media.

The new deployment strengthens one of the busiest film and tv production environments in Europe. NFTS runs a continuous slate of real productions across fiction, documentary, entertainment, animation and commercial content. The facility continues to grow its student intake and is adding new on-campus accommodation designed to support students with additional accessibility needs, as part of a wider development programme backed by government, student fees and industry contributions.

NFTS first standardized on EditShare five years ago. The existing platform has supported heavy, multi-department production workloads without issue, so continuing with EditShare was the natural choice as the school expanded. The latest investment introduces a tiered architecture combining high-capacity nearline storage, a refreshed high-availability (HA) layer and a new NVMe performance tier designed for 4K, 8K and VFX-heavy workflows that demand high-bandwidth, multi-stream editorial performance.

“EditShare sits at the heart of how we teach production at NFTS,” said Doug Shannon, Head of Systems and IT at the National Film and Television School. “The new tiered storage and NVMe layer give our students the bandwidth they need to work the way modern productions do, while FLOW and MediaSilo help us keep projects organized, secure and accessible across multiple courses. It means we can support more concurrent projects and higher resolutions without adding unnecessary overhead for the IT team.”

“EditShare has been a core part of how the school runs day-to-day production training,” said Sean Bradley, Regional Sales Director at EditShare. “The refresh gives them faster bandwidth, more resilience and room to grow as they continue to push student projects into higher resolutions and more complex workflows.”

With MediaSilo now part of the system, students and tutors gain an efficient way to collect notes, share cuts securely and maintain version control across multiple editorial teams.

The infrastructure refresh supports the school’s broader development plans, including new teaching spaces and the addition of on-site accessible accommodation. These updates are part of a long-term strategy to broaden access to the creative industries and improve support for students from a wide range of backgrounds.

Bradley added, “The school’s requirements are growing year after year. Reliability and performance were key drivers for them, and the new system sets them up well for the next stage of their growth.”

For more information on EditShare solutions, please click here to get in touch.

About EditShare

EditShare is an Emmy Award-winning technology leader, supporting storytellers through collaborative media workflows across on-premise, cloud and hybrid architectures. It offers scalable storage and collaboration for media businesses and at every stage of the video production process from storyboarding to screening. 

The software is inherently open, encouraging workflow collaboration, third-party integrations and content sharing across the entire production chain. Where required, the software is backed by high performance, high availability designed specifically for the demands of media storage, management and delivery. The comprehensive offering covers multi-level content storage for production and post, along with innovative asset and workflow management software, plus specialized and highly valued tools for content review and distribution, the creation of customized and branded pitch reels, and secure preview of high-value pre-release content. 

About Jigsaw24 Media

Jigsaw24 Media is a specialist division of Jigsaw24 and provides services and technology solutions to the media and entertainment, education and corporate sectors.   It’s the only UK-based company of its kind that has in-house system integration capabilities. Jigsaw24 Media’s team of industry-recognised experts design, deliver, integrate and support end-to-end solutions for some of the nation’s biggest broadcasters and facilities, underpinned by partnerships with over 30 leading technology vendors including Avid, Adobe, AWS, Nutanix and EditShare.  With headquarters in Nottingham, an office and demo space at the heart of London’s post-production community, and a nationwide support team, Jigsaw24 Media provides local services on a national scale.  For more information visit https://media.jigsaw24.com/

©2025 EditShare LLC. All rights reserved. EditShare® is a registered trademark of EditShare.

Press Contact
Katharine Guy
katharine.guy@editshare.com

In modern media production, collaboration happens across teams, time zones, and devices. So do security risks. From pre-release footage to client deliverables, every shared video file represents a potential vulnerability. 

For global creative teams, protecting intellectual property and maintaining control over how assets are viewed, downloaded, and distributed is no longer optional, it’s mission-critical.

That’s why top studios, agencies, and post-production houses rely on MediaSilo, the industry’s leading secure collaboration platform for post-production. With SafeStream watermark technology, you can confidently share works-in-progress with reviewers, executives, or clients, without ever sacrificing security or creative control.

Why Your Post-Production Team Needs MediaSilo’s Personalized Watermark Tech

Why Watermark Tech Matters in Media and Entertainment

The media and entertainment industry loses billions each year to content leaks and video piracy. A single unauthorized share can undermine months of creative work and jeopardize client trust. Traditional access controls alone aren’t enough; you need video review and approval software that actively prevents misuse and identifies the source of leaks.

That’s where digital watermarking, a cornerstone of secure video collaboration, comes in. By embedding visible or forensic identifiers into video files, watermarking ensures every copy is traceable, and every viewer is accountable.

Beyond security, watermarking also reinforces brand visibility by placing your company name or logo directly in the content you share.

Why Choose SafeStream Watermark Tech in MediaSilo

MediaSilo’s SafeStream is an enterprise-grade watermarking solution built for media review workflow management. It layers security into every stage of post-production—automatically, and without disrupting your creative process.

SafeStream Includes Two Powerful Watermarking Options:

1. Visible Watermarking
2. Forensic Watermarking

The Difference: Other Tools vs. MediaSilo SafeStream

Feature / CapabilityTypical Video Collaboration ToolMediaSilo with SafeStream
Watermark CustomizationBasic overlaysCustom templates with viewer name, email, and text
Forensic WatermarkingNot supportedEmbedded, tamper-resistant watermarks
Admin ControlLimited permissionsEnforced watermark templates at project or org level
Tracking LeaksManual processAutomated viewer tracking for every asset
Security ComplianceStandardEnterprise-grade protection built for post-production

Benefits of Securing Your Content with SafeStream

Every asset shared through MediaSilo becomes a controlled, traceable touchpoint, strengthening both your workflow and your brand reputation.

Why MediaSilo Leads in Secure Collaboration

The MediaSilo cloud collaboration platform goes beyond file sharing. It integrates video review, approval, and feedback tools with robust security controls, allowing creative teams to collaborate freely—without risking exposure.

From production to delivery, MediaSilo helps global teams organize content, gather feedback, and protect every frame with precision and confidence.

FAQ: Watermarking and Secure Collaboration in MediaSilo

How does watermarking protect video assets during post-production?

Watermarking assigns each video a unique, traceable identity, either visible or invisible, so if content is leaked, it’s immediately clear who accessed or shared it.

What’s the difference between visible and forensic watermarking?

Visible watermarking displays identifiers like names or emails on-screen, while forensic watermarking embeds invisible data that remains even after compression or editing.

Can I use both visible and forensic watermarks together?

Yes. Many teams layer both methods for maximum protection. Visible watermarks deter leaks, and forensic ones allow traceability if a leak occurs.

Does SafeStream watermarking affect playback quality?

No. Forensic watermarking is imperceptible, and visible watermarking is fully customizable to avoid obstructing key visuals.

How can I enforce organization-wide watermark settings?

Admins can mandate default watermark templates in MediaSilo, ensuring every shared link meets compliance and branding requirements.

Ready to Secure Your Workflow?

MediaSilo SafeStream delivers the next level of secure collaboration for post-production, empowering teams to share, review, and approve video confidently.

As we approach Thanksgiving in the U.S., I’d like to take a moment to step outside the usual hustle of product releases, trade shows, and roadmaps and reflect on what truly matters. 

Even though many of our teammates, customers, and partners around the world may not observe this holiday, I believe the spirit of gratitude is universal. So I wanted to share a few thoughts and offer my sincere thanks to all who are part of the EditShare journey.

Giving Thanks, Across Borders

I’m thankful to our customers working in broadcasting, post-production houses, streaming services, sports organizations, education, and beyond. Your challenges, feedback, and trust push us to innovate. You test our limits, call us when things don’t work, and share your workflows with us. From early pilots to mission-critical deployments, you let us be part of your work, and that is a privilege.

To our channel partners and resellers, many of whom operate in far corners of the globe, thank you for being our local face, for connecting with customers in their markets, and for championing EditShare’s capabilities. Your commitment, especially in times of technical or logistical complexity, makes what we do possible.

And above all, to the EditShare team. Across engineering, support, sales, marketing, operations, and more, I sincerely appreciate your perseverance, creativity, and care.

You show up every day, often without much fanfare, to keep systems stable, solve unexpected bugs, and deliver capabilities that delight (or surprise) our users. It’s your work behind the scenes that gives our customers the confidence to rely on us. All of this hard work has led to a great year for sales despite the industry headwinds.

A Few Gratitudes on My Mind

Looking Ahead, With Gratitude

As we head into the year’s end and plan for 2026, I want us to carry this spirit of gratitude forward. We’ll continue to push for smarter workflows, better collaboration across distributed teams, and innovations that reduce friction rather than add more features for their own sake.

From all of us at EditShare, thank you. May your upcoming holiday season (whether it’s Thanksgiving or simply time with family) bring rest, reflection, and renewed purpose.

Happy Thanksgiving,

Brad Turner
CEO, EditShare

In a world where production teams depend on seamless collaboration and real-time media access, downtime isn’t just inconvenient; it’s costly. A single outage caused by a storm, flood, or power failure can grind production to a halt, delay delivery timelines, and jeopardize valuable client relationships.

That’s why EditShare’s FLOW Disaster Recovery system exists: a feature that mirrors your primary FLOW site and allows you to get back online fast. Within minutes, not hours or days. 

It’s not an archive or long-term storage system; it’s a real-time continuity solution designed to keep your creative teams working when disaster strikes.

Why Disaster Recovery Matters for Media and Production Teams

Video production workflows are complex. They depend on shared storage, media asset management systems, and hundreds of interconnected files. When disaster hits, whether physical damage to a facility, network failure, or regional outage, teams risk losing access to projects, metadata, and proxy media.

Without a disaster recovery strategy, you face:

With FLOW Disaster Recovery, your team gains peace of mind knowing your entire production environment is mirrored and ready to take over at a moment’s notice.

What Makes FLOW Disaster Recovery Different

Unlike traditional data backups or archives that only store static copies of your files, FLOW Disaster Recovery maintains a fully synchronized, live replica of your FLOW system, including Media Spaces, proxies, thumbnails, transcriptions and the database.

If a natural disaster, power outage, or hardware failure takes your main system offline, the secondary FLOW environment can be activated swiftly. Within minutes your team can reconnect and resume editing, reviewing, and managing assets from wherever they are.

This isn’t a “cold” backup. It’s an emergency retrieval that ensures business continuity for media production without data loss or workflow disruption.

FLOW Disaster Recovery vs. Traditional Backups

Feature / CapabilityTraditional Backup / ArchiveFLOW Disaster Recovery
System SyncManual, periodicAutomatic synchronization
Switch-over  SpeedDays or weeksUp and running within minutes
Workflow ContinuityOnly partially restore dataFull FLOW system restoration including metadata, projects, and settings
Access During OutageNoneSeamless access to mirrored environment
PurposeLong-term data retentionOperational continuity during disaster

Key Benefits of FLOW Disaster Recovery

FLOW Disaster Recovery Fits into Your Media Management Workflow

FLOW Disaster Recovery integrates directly with your existing EditShare EFS and FLOW infrastructure, ensuring that your media management workflow remains stable, organized, and secure.

FAQ: FLOW Disaster Recovery

Q1: Is FLOW Disaster Recovery the same as a data backup?

No. A backup stores static copies of data, while FLOW Disaster Recovery maintains a live, synchronized system that can take over operations immediately. Delete an asset from the primary Site, the delete will also occur on the secondary site after the daily sync of both sites.

Q2: How quickly can my team get back online after a disaster?

Most teams are fully operational within minutes, depending on network conditions and access permissions.

Q3: Does FLOW Disaster Recovery include my EFS storage?

Yes, the disaster recovery configuration includes synchronization between your primary and secondary EFS and FLOW environments, ensuring media, metadata, and settings remain aligned.

Q4: Can I access FLOW Disaster Recovery remotely?

Yes. The system is designed to be accessed securely from anywhere, supporting remote production continuity.

Q5: How is the system kept in sync?

FLOW Disaster Recovery uses daily automatic replication to update your secondary system, ensuring it mirrors the current state of your production environment to within 24 hours.

Stay Operational. Stay Confident.

When disaster strikes, every minute matters. FLOW Disaster Recovery ensures your media production and post workflows keep moving—securely, efficiently, and without compromise.

Because in creative production, downtime isn’t an option.

Disaster Recovery will be available in 2026.1.0.

Learn more about FLOW and how it can protect your production workflows.

Post-production workflows, whether for editing, grading, or film finishing, frequently face tight deadlines while also working with massive files, complicating team coordination. Pairing DaVinci Resolve Studio with EditShare’s infrastructure provides effective collaborative video storage and shared video storage solutions. This setup eases access to high-resolution assets, enhances performance, and supports smoother collaboration. Here’s how these tools integrate to optimize workflows.

Performance and Compatibility: The Foundation for Shared Video Storage

DaVinci Resolve Studio handles editing, colour grading, audio mixing, and VFX in a single application. Amazingly, they have integrated programs like Fairlight audio and Fusion into Resolve. It also supports native operation on Windows, Mac, and Linux, ensuring flexibility across setups.

EditShare’s EFS serves as robust shared video storage, organizing media securely in managed MediaSpaces. These spaces centralize footage, enabling quick tracking and access for projects. EFS provides massive 24 GB/s throughput across each NVMe node, allowing workstations to achieve over 15 GB/s read speeds utilising our native EFS drives. The native drivers stand out; they’re tailored for media tasks, delivering higher bandwidth for Resolve users compared to traditional IT mounting like SMB, which delivers slower speeds

Collaborative Video Storage: Resolve Project Server on EFS

For teamwork, Resolve’s Project Server operates on EditShare EFS nodes as collaborative video storage. It oversees projects, timelines, and permissions, allowing multiple users to contribute without overlap. For instance, an editor modifies a sequence, and collaborators view updates in real-time, with built-in controls to safeguard key elements.

The cross-platform support shines here, with native drivers for Windows, Mac, and Linux in both Resolve and EFS, eliminating setup hurdles in mixed environments.

Production Asset Management: Flow Panel in Resolve

EditShare’s FLOW, a production asset management solution, embeds directly into Resolve for easy file handling. It enables pulling assets from ProRes proxies to file per frame masters without leaving the interface, sourcing directly from EFS MediaSpaces to maintain organization.

Remote users benefit from proxy workflows, where Flow preserves parent-child relationships between full-resolution originals and proxies. This allows fluid editing over limited bandwidth, with automatic relinking for final outputs, no manual fixes required.

Real-World Examples of Shared Video Storage and Collaboration

Consider a news team covering an election. Reporters ingest 4K footage into EFS MediaSpaces. Project Server manages permissions, giving the lead editor control over masters while others access proxies through FLOW. The native drivers’ bandwidth advantage over SMB accelerates speed. Combine it with Mediasilo and you get faster approval results.

In a documentary project featuring 8K drone captures, remote VFX specialists use FLOW’s production asset management for proxy-based creations. The director pulls full-res versions from collaborative video storage, with EFS ensuring uniform access and Project Server logging revisions to minimize back-and-forth.

Key Benefits for Post-Production Workflows

DaVinci Resolve Studio powers the creative side, while EditShare EFS excels in shared video storage and production asset management. This integration resolves issues like access controls, multi-OS compatibility, and proxy management, allowing focus on delivering polished results.

For teams seeking optimized shared video storage for DaVinci Resolve or tips on collaborative video storage setups, this pairing delivers proven efficiency.

How can broadcasters harness Adobe Premiere Pro’s flexibility without workflow chaos? In busy broadcast environments, Adobe’s openness and flexibility often lead to issues with shared assets going missing or offline, often disrupting deadlines. Helmut FX steps in as the project manager to structure Premiere Pro for broadcast teams. Combined with EditShare’s infrastructure, it delivers administrative control and creativity. Perfect for newsrooms working around the clock or sports productions demanding rapid turnarounds.

What Is Helmut FX, and How Does It Manage Premiere Pro?

Helmut FX centralizes Premiere Pro project tasks for teams. It automates creation, search, opening, editing, and archiving. Custom metadata filters make finding files instant. Role-based access lets admins set presets for users or groups, approving only vetted assets.

In broadcasts, Helmut FX adapts Premiere Pro’s open style to strict needs. It integrates with Active Directory for single sign-on and user groups. The Stream Debugger logs steps to pinpoint problems fast. Custom menus create workflows aligned to the news rhythm in a studio. Auto-backups with easy restores secure files in high-pressure scenarios. Hlemut also expands the ecosystem to other industry-standard applications, such as VizRT for graphics.

How Does EditShare’s EFS Provide Shared Video Storage and Collaborative Video Storage?

EditShare’s EFS offers high-speed shared video storage and collaborative video storage for media teams. Projects and media live in organized spaces on EFS, scaling to petabytes without lags. 

What Role Does FLOW Play in Production Asset Management?

EditShare’s FLOW handles production asset management. Its Panel integrates into Premiere Pro, allowing editors to search, browse, and import clips without leaving the Adobe interface. FLOW eliminates file hunts; every user (subject to their granted permissions!) can access everything from a single library. FLOW’s API links straight to Helmut FX, enabling complete project workflows in large Adobe environments.

Helmut FX, FLOW, and EFS connect via APIs to orchestrate projects, users, mediaspaces, and assets. Helmut and FLOW maintain ongoing syncs, linking assets and metadata throughout the process. When starting a Premiere Pro project, Helmut automatically builds the mediaspace and matching FLOW location from templates. These templates can define storage paths, codecs, ingest/export rules, and essentials like scratch disks, frame rates, and bin structures for uniform outputs.

How Does FLOW Ingest Support Live News and Sports Workflows?

For news and sports, FLOW Ingest captures live feeds and routes them directly to editing. Ingest from baseband or NDI directing into Premiere Pro, minimizing delays. The growing timeline in Premiere Pro is perfect for breaking news or game highlights that need a fast turnaround 

It connects to NRCS systems like Octopus. Reporters start stories from Octopus, syncing a project to FLOW for immediate Premiere Pro access. Editors import via the panel, cut footage, and export to playout. Octopus placeholders update with finals, streamlining from capture to air.

What Is the Value Proposition of Helmut FX, FLOW, and EFS Together?

This stack automates up to 20% of manual work, boosting creative time. Standardized setups and quick asset pulls accelerate news and sports edits for on-site or remote teams. A central dashboard searches projects, metadata, and sequences.

For 24/7 broadcasts, it cuts delays, ramps up production speed, and expands easily. Broadcasters chasing peak efficiency get a setup tailored for the edit suite.

FAQ: Adobe Premiere Pro with EditShare and Helmut FX

Q: Does this integration keep editors in the Adobe UI?

A: Yes, FLOW’s Panel and Helmut FX ensure all asset management happens inside Premiere Pro.

Q: How does it support fast sports turnarounds?

A: Real-time ingest and auto-project setup cut edit times from hours to minutes.

Q: Is it compatible with NRCS like Octopus?

A: Fully, users in Octopus NRCS can automatically create projects in Editshare for end-to-end news flows.