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Preventing Accidental Video Leaks in Post-Production: How SafeStream Protects Your Content

Introduction

Accidental leaks of pre-release content can lead to significant financial losses and reputational damage. For professionals in film, television, and corporate video production, safeguarding sensitive material is paramount. EditShare’s SafeStream technology provides a robust solution to prevent unauthorized distribution and trace leaks back to their source, making it a trusted and secure video sharing solution for modern workflows.

What Is SafeStream?

SafeStream is a real-time video watermarking technology that embeds both visible and invisible (forensic) watermarks into video content, ensuring each copy is uniquely traceable. This dual-layered approach not only deters unauthorized sharing but also facilitates accountability by identifying the source of any leaks. It’s ideal for use as a watermarked video sharing platform or video DRM platform for media screeners.

How SafeStream Works

Visible Watermarks

Visible watermarks display user-specific information directly on the video, such as the viewer’s name or email address. This personalization discourages recipients from sharing the content, as they know it can be traced back to them.

Forensic Watermarks

Forensic watermarks are invisible markers embedded within the video file. They allow content owners to trace the origin of a leak without altering the viewing experience. This is particularly useful when visible watermarks are not feasible and when using an embargoed content distribution tool is critical.

Benefits of Using SafeStream

Implementing SafeStream in Your Workflow

Integrating SafeStream into your post-production process is straightforward. It can be applied during content review stages, internal screenings, or when sharing with external stakeholders. By embedding watermarks at these critical points, you maintain control over your content throughout its lifecycle.

Conclusion

Accidental leaks can have devastating consequences for media professionals. SafeStream offers a proactive approach to content security, combining visible and forensic watermarking to deter unauthorized sharing and effectively trace leaks. By incorporating SafeStream into your workflow, you protect your content, your reputation, and your career with a best-in-class secure video sharing solution.

Ready to elevate your content security? Discover how SafeStream can protect your valuable assets, visit our website and schedule a demo today:


If you’re managing video production with traditional IT storage, chances are your team is running into performance issues—dropped frames, offline media, slow load times, and frustrated editors. And it’s not their fault. They’re doing high-stakes creative work with tools that weren’t designed for the job.

Here’s why it’s happening—and what to do about it.

The IT Storage Problem

Most general-purpose IT storage systems are built to handle lots of small files and transactions—think emails, documents, or databases. These are low-throughput, high-IOPS (input/output operations per second) environments.

Video is the opposite.

Editing high-resolution media requires sustained throughput to stream large video files in real time. When multiple editors are working simultaneously, that demand only increases. Traditional IT storage just wasn’t built for this kind of load, and trying to make it work can lead to serious performance bottlenecks and creative downtime.

Dropped Frames Are a Symptom—Not the Root Cause

Dropped frames, playback lag, and crashes are warning signs that your storage system is under stress. These issues can interrupt workflows, delay projects and make collaboration nearly impossible. Editors may spend more time waiting for media to load than actually cutting footage.

And when projects go offline or files disappear mid-edit, you’re not just losing time and money—you’re losing trust.

The Case for Purpose-Built Storage

At EditShare, we’ve spent over a decade solving these problems for media teams so they can worry about the finished product, not storage. Our EFS shared storage system is engineered from the ground up to support the unique needs of video production. That means:

The Bottom Line

If you’re still relying on traditional IT storage, your team is working harder than they need to. Creative professionals deserve a system that supports their workflow, not one that holds them back.

It’s time to upgrade to a storage platform built for media.


Looking for new ways to streamline your media workflows and get more done in less time? The latest FLOW media management update, FLOW 25.1.0, is packed with powerful updates designed to simplify your day-to-day, and now you can see it all in action.

In our latest webinar, Unlocking the Power of FLOW 25.1.0, EditShare’s Senior Product Manager Lucy Seaborne teams up with Global Pre-Sales Technical Manager Adam Lewiston to walk you through the latest features, enhancements, and real-world use cases for this exciting new release.

Whether you’re managing fast-turnaround productions or large-scale archival workflows, FLOW 25.1.0 delivers smarter ways to organize, automate, and collaborate.

Watch the webinar replay to learn:

✅ What’s new in FLOW 25.1.0, including UI improvements, workflow automations, and more

✅ How the latest updates can drive efficiency across your team

✅ Best practices for getting the most out of FLOW, straight from the experts who helped build it

Don’t miss your chance to get up to speed with everything the new release has to offer.

Access the webinar replay now (Free with registration)

Tape isn’t dead! While everyone’s out there singing the praises of cloud storage and trying not to choke on their monthly invoices, tape just keeps doing its thing: Reliable, Affordable, and Built for the long haul. Now we’ve got LTO 10, which is a huge upgrade.

Roadmap: 36 TB Raw Capacity 

The roadmap states that LTO 10 will double the raw capacity of LTO 9. If you’re dealing with 4K or 8K RAW footage or just have a mountain of footage that needs to be stored safely and long-term, that’s a big advancement. Fewer cartridges to manage. Less rack space and less shuffling around in the archive room. You will often see larger capacities being discussed, but that’s compressed, which is fine for CRMs or transactional data, but we can’t compress media. So we always work on the raw capacity. You will notice in the image below how it shows two sizes for LTO 10: compressed and raw. We are hearing that the LTO may be capped at 30TB at 400MB/s transfer speed. It’s early days, but we shall see how it pans out.

LTO storage graph

EditShare ARK and LTO 10 A Perfect Match

Here’s the good news: EditShare ARK will support LTO 10. There’s no need to change how your team works. Everything just runs like it always has, except now your shelves fill up a whole lot slower. That means you’re ready for whatever next-gen content you’re producing, whether that’s episodic 8K delivery, remastering old content in HDR or just trying not to get buried in files.

Now, if you have an existing LTO legacy deployment, let’s say LTO 4, you will need to migrate those tapes back to EFS, deploy a new LTO 10 tape device, and then re-archive them. But you get more than 10 tapes now condensed into one!

Compatibility

Let’s talk about the one weird anomaly. IBM’s datasheet for LTO 10 only says, “IBM LTO 10-tape drive can read and write to LTO Ultrium 10 cartridges.” They don’t mention backward compatibility at all. There is no promise that LTO 10 drives will read LTO 9 or anything older. That’s a break from how LTO has worked for years, where each new gen could usually read two generations back. If you’ve got a mountain of older tapes, you’ll either need to keep older drives around or run a migration strategy. But honestly, that’s just part of managing any archive.

LTO Still Makes Sense for Media Teams

Storage needs in media and entertainment are not shrinking. 8K VFX dailies, every project is bigger than the last. So when you get a format that gives you 36 TB per tape and runs for decades without a subscription attached, that’s worth paying attention to. Tape is a cost-effective long-term archival medium, complemented by our large. Adding EditShare ARK, which compliments FLOW asset management, means every asset that gets archived and FLOW knows its location. It keeps a proxy of that archived file always online, meaning you get a representation of that high-resolution file immediately. Its streamlined initiative and most important, fast. 

Final Word

Is LTO 10 perfect? Not quite. The missing backward compatibility might be a pain. But if you’re starting fresh, building new archives, or just want to stop adding shelves every quarter, LTO 10 is the biggest leap we’ve had in years.

Want to learn more?

Best Practices for Organizing Teams and Reviewers in MediaSilo

When you’re managing video review workflows across multiple projects, the way you structure access to your content matters just as much as the content itself.

Too often, creative teams wrestle with outdated permission systems that force them to duplicate users, manually reassign roles, or rely on blanket access levels that don’t reflect the nuances of their team. That’s why in MediaSilo, flexible user management isn’t just a feature, it’s foundational.

Here’s how to organize your workspace and projects for clarity, security, and efficiency.

Step 1: Understand the Difference Between User Types and Roles

MediaSilo uses a two-tier system for managing people:

There are three user types in MediaSilo:

Best Practice: Assign workspace-level roles conservatively. Most collaborators only need project-level access.

Step 2: Use Project Roles to Tailor Access

Once a user is added to a project, you can choose from predefined roles or create custom roles with granular permissions. This lets you match access to the actual work someone needs to do.

Built-in project roles include:

Custom roles let you go even further, allowing you to cherry-pick the permissions that user can have based on:

Best Practice: For external vendors or freelancers, start with a limited built-in role like Uploader, then build a custom role if they need more access over time.

Step 3: Assign One User, Multiple Roles – Without Duplicates

One of MediaSilo’s most powerful and unique features is that a single user can be assigned different roles across multiple projects, without being re-invited or duplicated.

That means:

Best Practice: Take advantage of this flexibility to avoid over-permissioning. No need to clone or re-invite the same user across projects – just assign the right role per project.

Step 4: Group Your Projects by Function or Campaign

Whether you’re managing episodic content, branded campaigns, or FYC rollouts, it helps to mirror your real-world workflow inside MediaSilo. Organize projects based on:

Then assign reviewers only to the projects relevant to them.

Best Practice: Resist the urge to dump everything into one project with a long access list. Smaller, clearly scoped projects make permissioning cleaner and reduce confusion for collaborators.

Step 5: Audit Access and Adjust As Needed

As projects evolve, so do roles. MediaSilo makes it easy to:

Best Practice: Set recurring calendar reminders to audit access for active projects – especially when screeners are shared externally.

Final Thought

Your MediaSilo workspace is more than just a holding pen for content; it’s the foundation of your review and approval pipeline. When your teams and reviewers are organized with the right level of access at every stage, you can move faster, collaborate better, and reduce risk across the board.

With MediaSilo’s flexible user types, project-specific roles, and customizable permissions, you can fine-tune access without the hassle, so the right people always have the right permissions, right when they need them.

Ready to Get Projects Approved Faster? Start your free 14-day Trial today. 

What’s Working, What’s Broken, and What’s Next

A System Under Strain

The way creative teams review and approve video content hasn’t kept up with the speed and complexity of modern production. What was once a straightforward process to send a cut, get feedback, make changes has turned into something much messier. More stakeholders. Tighter timelines. Higher expectations for security and speed. And yet, many of the tools teams rely on still reflect an outdated reality.

After speaking with dozens of post-production professionals, editors, and creative teams, one clear theme emerged. Review and approval is one of the biggest bottlenecks in modern video production. Not because it’s inherently complex, but because the tools meant to support it often create as many problems as they solve.

The Three Jobs of Review & Approve

At its core, every review and approval workflow exists to do three things:

  1. Make sharing easy and reliable. Creators need to distribute content quickly, without worrying about slow uploads, playback issues, or access problems.
  2. Ensure control and security.  Teams need to know who has access, who has seen what, and ensure that sensitive content stays protected from leaks or unauthorized distribution.
  3. Gather feedback efficiently. The review process should capture input in a way that’s structured, clear, and actually moves the project forward.

When these jobs are done well, creative teams stay focused on the work instead of fighting the process. When they break down, frustration sets in, deadlines slip, and teams resort to workarounds that only make things worse.

Job 1: Make Sharing Easy and Reliable

At its best: Content reaches the right people without login friction, playback issues, or speed bumps. Sharing and access happen without unnecessary delays.

At its worst: The simple act of sharing a video turns into a technical problem. Uploads stall, links break, playback stutters, and creatives become the de facto IT support for their own projects.

How this job actually gets done:

Where tools fall short:

Job 2: Ensure Control and Security

At its best: The team knows exactly who has access to what, security settings are intuitive, and no one loses sleep over leaks or unauthorized sharing.

At its worst: Review links get passed around unchecked, high-value content ends up in the wrong hands, and teams don’t know if their work-in-progress has been accessed by the right people.

How this job actually gets done:

Where tools fall short:

Job 3: Gather Feedback Efficiently

At its best: Feedback flows naturally, whether it happens inside the platform or elsewhere. Every note is clear, relevant, and easy to act on.

At its worst: Comments are scattered across emails, Slack messages, and spreadsheets. Reviewers hesitate to leave feedback because the process is too rigid or clunky.

How this job actually gets done:

Where tools fall short:

What’s Next for Review & Approve Tools?

The next generation of review & approve workflows won’t just replicate existing processes with better UI. They’ll solve the deeper inefficiencies that frustrate teams today. Based on what we’re hearing, here’s where things are headed:

Final Thoughts

After so many conversations with creative teams, one thing is clear: review and approval isn’t just about technology it’s about how work actually gets done. The best tools make sure the parts of the workflow that “just have to work” don’t even need to be thought about, and they acknowledge that different teams get feedback on their work in different ways.

The future of review and approval isn’t about adding more features—it’s about removing friction. The teams getting this right aren’t just adopting new tools; they’re embracing smarter, simpler workflows that help them move faster, stay secure, and focus on the work that matters.

Creative teams using MediaSilo can share, review, and get feedback on their content without friction, ensuring their work reaches the right people, stays secure, and moves forward without unnecessary delays.

Chaos is not a workflow

Let’s be honest, unstructured media management is a mess. Hard drives sometimes get stacked like a game of Jenga, file names that might as well be written in a different language, and the ever dreaded moment when you realize the footage you need now is… somewhere. That’s not a workflow. That’s an obstacle course. And it’s slowing you down.

Adobe Insights: Creatives are wasting time

In a recent Adobe Transform Content Creation white paper, the research indicated that creative professionals often spend a significant portion of their workweek on repetitive tasks, including organizing content. Specifically, four out of ten creatives dedicate more than half of their workweek to such activities. That is a staggering number. Creatives are talented but they are  expensive. You don’t want them spending that amount of time organizing content.

Meet FLOW: The digital glue of your workflow

If your creative process feels like herding cats, FLOW Media Management is the solution you didn’t know you needed. Whether your assets are on-premise, in the cloud, or anywhere in between, FLOW brings order to the chaos.

How FLOW makes your life easier

Anywhere, Anytime, Total Control

FLOW isn’t just a tool, it’s the digital glue that holds your workflow together. Whether you’re editing from a high-end post suite or editing off your kitchen table, just like covid times,  FLOW keeps everything connected so you can focus on creating, not searching.

The Final Word

Not using FLOW is like editing with boxing gloves on – unnecessary, frustrating, and painfully annoying. Creative teams that embrace proper media management are faster, more efficient, and definitely less stressed. 

Talk to the EditShare team today and transform the way you work.

Why Timely and Efficient Content Review Matters
For creators, studios, and networks, securing early reviews for pre-release video content is crucial for building buzz and setting up a successful release. However, one of the biggest challenges in this process is making sure your content reaches the right reviewers and is actually watched in a timely manner. Without an efficient system in place, pre-release content risks getting lost in cluttered workflows, leading to missed deadlines, fewer reviews, and ultimately, less exposure for your film or show.

Press reviewers often get bogged down juggling multiple logins across different screening platforms, slowing them down and delaying coverage. That friction can undercut your release strategy. Screeners.com streamlines the process by centralizing all your pre-release content in one secure, easy-to-access dashboard, making it faster for reviewers to watch and easier for you to stay on schedule. 

How Can You Ensure Reviewers Watch and Cover Your Content?
One of the most common concerns content owners have is: How can I make sure my pre-release content gets seen and reviewed on time?

The key is to provide an intuitive, efficient platform that helps reviewers:

What to Look for in a Screening Platform
When selecting a platform to share your pre-release content, ask yourself:

The Press Reviewer Dashboard is designed with these needs in mind, ensuring that your content is seen, reviewed, and covered on time.

How the Press Reviewer Dashboard Helps Your Content Get Reviewed
The Screeners.com Press Reviewer Dashboard is designed for a seamless reviewer experience, making it easier for them to engage with your content in a timely manner. Here’s how it benefits you:

Why Screeners is the Right Choice for Content Owners
By modernizing the reviewer experience, Screeners makes it easier for press professionals to engage with your content, stay organized, and meet their deadlines. With a platform that prioritizes efficiency and usability, you can be confident that your pre-release materials will get the attention they deserve.

Ready to ensure your content gets reviewed on time? Try the Press Reviewer Dashboard and experience the difference.

When it comes to protecting your work, collaborators, and clients, security is a top priority. As a MediaSilo customer, you’re already working within a platform designed to keep your media assets safe. But how you log in and the security around that process matters as much as how your files are stored. 

And what about your external collaborators? Are they taking security as seriously as you do? Because they can also access your files. Building a moat around your files does no good if you’re handing out kayaks to everyone. 

Let’s break down the differences between SMS authentication and Multi-Factor Authentication (MFA) and why MFA provides a significantly higher level of protection.

What Is SMS Authentication?

SMS authentication is a two-factor authentication (2FA) that sends a verification code to your phone via text message. You enter your username and password as usual, then input the code sent via SMS to complete your login.

While this may seem secure, it relies on a single device (your phone) and a vulnerable communication channel (SMS). That opens the door to various risks, especially if attackers specifically target your credentials.

What Is Multi-Factor Authentication (MFA)?

MFA goes a step further by using two or more different types of factors to verify your identity:

  1. Something you know
    • Using a password and a QR code scan for verification. The QR code, when scanned by a designated authenticator app, provides the app with the information to generate a one-time code. This code and the password are used to access the account. 
  2. Something you have
    • Using a password with a YubiKey for authentication typically involves a two-factor approach where you enter your password and then use your YubiKey to provide a second factor. This enhances security by requiring a known password and physical possession to access an account.  
  3. Something you are
    • A password with fingerprint or facial recognition is a specific, often highly secure, approach that differs from other MFA methods. This combination leverages “something you know” (password) with “something you are” (biometrics), offering strong protection. 

For example, logging in with your password and confirming your identity with an app like Google Authenticator or Authy is a common MFA setup. The key difference is how securely the second factor is delivered and verified, demonstrating the surface area of a potential attack.

Why MFA Is More Secure Than SMS

Simply put, QR Codes and Authenticator Apps Outperform Text-Based Codes. While both SMS and MFA require a second step beyond your password, MFA offers better protection because:

In contrast, MFA tools like authenticator apps or physical security keys are tied to your device and require an additional unlock or biometric verification, making them much more difficult to compromise.

Benefits of MFA for MediaSilo Users

For professionals working with high-value, pre-release, or confidential content, MFA offers:

Bottom Line: SMS Is Better Than Nothing, but MFA is the Gold Standard

SMS authentication can provide a basic layer of protection, but it’s not foolproof. As phishing attacks, SIM swapping, and other credential-based threats continue to rise, relying on SMS alone is no longer enough, as it gives attackers too many paths to bypass security. With only a phone number and some clever tactics, bad actors can slip past this layer of protection.

Multi-factor authentication is tied to your device and doesn’t rely on your carrier or insecure channels like SMS. That’s why MediaSilo strongly encourages enabling MFA using an authenticator app or hardware token. It’s a simple step that makes a big difference—keeping your content secure and your team confident that your creative work stays exactly where it should: in the right hands.

Need help setting up MFA on your MediaSilo account?

What Is a Codec  And Why You Need to Understand It

If you work or want to work in video production, post-production, or broadcast, you’ve likely heard the term codec thrown around in conversations about files, formats, storage, or delivery. Understanding what a codec is and how it affects your workflow is essential in modern media environments.

So, what exactly is a codec?

A codec is a tool that compresses and decompresses digital video (or audio) files. It plays a crucial role in behind-the-scenes TV work, helping your systems handle high-quality, high-resolution content efficiently. When you record or edit video, those files can get very large, especially with today’s high resolutions (like 4K or 8K), high frame rates (like 60fps or 120fps), and deep color bit-depth (10-bit, 12-bit, etc.). Codecs help manage those large files so they’re easier to Store, Transfer, Edit and Deliver.

Without codecs, even a few minutes of RAW footage could take up massive amounts of space and potentially overwhelm your hardware.

Why It Matters to You

Understanding codecs isn’t just something for your tech team or engineers to worry about; it has a direct and noticeable impact on your day-to-day workflow. The codec you choose influences how quickly you can edit on your workstation, how much storage you’ll need on your EFS system, and how efficiently you can move or import media files across the network. It can also determine whether your final deliverable meets broadcast  (IMF, DPP, AS11, etc.) specifications and how smoothly your playback and review sessions run.

Using the wrong codec can create unexpected delays, playback glitches, or slow file transfers that disrupt your timeline. On the other hand, the proper codec choice can simplify your entire process, helping your team work faster, collaborate better, and stay focused on creativity.

Whether you’re editing with ProRes, delivering with H.264, or working with RAW formats for maximum flexibility in post, understanding what each codec does and when to use it is essential for a productive, professional media workflow.

Codec ExampleCommon UseBenefit
ProRes, DNxHDEditing and finishingMaintains quality, easy to edit
H.264, H.265Web, streaming, deliverySmall file size, widely supported
XDCAM, AVC-IntraBroadcast environmentsStandardized for playout
RAW, BRAW, R3DHigh-end camera captureMaximum flexibility for grading

These are just examples of codecs; each production has its own needs.

Choosing the correct codec affects editing speed, EFS production storage requirements, file sharing, and final deliverables.

Video files are growing in size faster than ever, and codecs are evolving to keep up. One major reason is the rise in resolution. We’re no longer just working in HD but in 4K, 6K, and even 8K. These higher resolutions mean more pixels per frame, translating into significantly more data.

At the same time, frame rates are increasing. Where 24 or 30 frames per second were once the norm, many projects now demand 60fps, 120fps, or even higher, especially for sports, slow-motion, or high-end cinematic content. More frames per second means more data to process and store.

Bit depth has also increased. Modern workflows often rely on 10-bit or 12-bit video, which provides richer color and greater dynamic range. This added precision is a massive benefit for color grading and visual effects, but it also means each frame carries more information.

Beyond the visual aspects, today’s codecs often include more embedded data from multichannel audio and HDR metadata to camera-specific information, adding further weight to each file.

Even though codecs are designed to compress all this data efficiently, the sheer volume of content in modern media means that video files are still much larger than they used to be. This growing size directly impacts storage, network performance, and workflow speed, making it more important than ever to choose the correct codec for your production needs.

What This Means for Your Workflow

Codecs are at the heart of every video production. Whether you’re shooting, editing, storing, or delivering content, your chosen codec is critical in how efficiently your workflow runs.

They manage the balance between quality, performance, and storage, and as video standards evolve with higher resolutions, frame rates, and color depth, codecs carry more data than ever before.

Understanding how codecs work and how they impact your system performance, network load, and storage requirements is no longer optional; it’s essential. The correct codec can mean the difference between a smooth, real-time edit and a frustrating, lag-filled experience.

Whether you’re delivering files to broadcast, streaming content to digital platforms, archiving large volumes of high-res footage, or cutting a feature film with layered effects and grading…

Your codec choices will influence how well your tools and teams perform.

If you’re unsure which codec is best for your setup or how to plan your storage and infrastructure around it, our team is here to help. We’ll help you decode the details so you can focus on creating.