Blog

Before You Add Another Media Platform, Look At Your Workflow

Katharine Guy

Director of Global Marketing

There is a familiar pattern in media technology. A workflow becomes difficult to manage, so the proposed answer is another system, another migration and another place for teams to put their content.

But for many production organizations, the problem is not a lack of technology. It is that the technology they already have does not work together well enough.

Editors want to stay in the creative tools they know. Production teams need fast access to media. Remote users need to find, review and share content without waiting for files to be moved around unnecessarily. IT teams need security, predictable costs and infrastructure they can manage.

On top of that, everyone now expects AI to make growing media libraries easier to use.

So before asking which platform to move everything to, it is worth asking how to make the existing workflow work better.

Keep people in the tools where they do their work

Changing infrastructure does not have to mean changing the way creative teams work.

Editors have established workflows in tools such as Adobe Premiere Pro, Avid Media Composer and DaVinci Resolve. New storage, media management or cloud technology should make those workflows easier and spare editors from constantly switching between systems.

That means looking beyond individual products and thinking about the connections between them. The practical test is whether editors can reach the media they need quickly, whether production teams can find material without knowing exactly where it is stored, and whether metadata and automation are helping in the background without adding steps for the user.

Stop moving media unless there is a reason to

Media organizations now have content spread across more locations than ever.

Active productions might sit on high-performance shared storage. Older material may be in an archive. Other content may live in object storage, cloud services or another facility entirely.

The instinct has often been to centralize everything. In practice, moving large volumes of media simply so another application can see it can create cost, duplication and unnecessary complexity.

A better approach is to leave media where it makes sense to keep it and give people better ways to discover and access it.

That is the thinking behind capabilities such as EditShare Media Drives, which connects MediaSilo with content held on EditShare EFS shared storage and other supported on-prem and cloud S3-compatible storage. Teams can browse, search and preview available media, then bring selected content into MediaSilo when they need it for review, collaboration or other cloud workflows.

The principle is simple: access content where it lives, and move only what the workflow requires.

Use the level of media management you actually need

Not every production team needs the same type of media management.

A broadcaster or large post-production environment may need production media management spanning ingest, editorial and archive, with detailed metadata, automation and integrations across the workflow.

For those teams, FLOW provides the media management layer across EditShare and supported third-party storage, connecting media with the creative tools and workflows teams already use.

Other teams have a simpler requirement. They need to organize media, make content easy to find, share it securely and collect review and approval feedback without deploying a full PAM environment.

That is where a cloud service such as MediaSilo can make more sense.

The two can also sit side by side. What matters is matching the technology to the workflow rather than forcing every team into the same architecture.

AI should make existing media more useful

AI is becoming part of almost every media technology conversation, but adding AI is not especially useful if it also adds another process for production teams to manage.

The bigger opportunity is to make the content organizations already own easier to discover and reuse.

That might mean generating transcripts, identifying people and logos, recognizing text within footage or breaking material into useful scenes. Instead of relying entirely on filenames, folder structures or manually entered metadata, teams can search using information derived from the media itself.

EditShare applies this in both FLOW AI and MediaSilo AI, giving organizations different ways to introduce AI-assisted discovery depending on where and how they work.

For production teams, that means less time hunting for footage and more time using it.

There is also an architectural question behind AI. Organizations should understand where their media is being analyzed, how that analysis is performed and whether introducing AI means sending valuable content somewhere they would rather it did not go. For many organizations, those answers now matter as much as the features.

Put each workload where it works best

The industry has spent years debating whether media workflows belong on-prem or in the cloud.

For most organizations, the answer now depends on the workload.

High-bandwidth editorial may make sense close to high-performance storage. Remote production teams may need access to content across locations. Reviewers and clients may be better served through the cloud. Archives may need an entirely different balance of accessibility and economics.

Hybrid workflows have become normal because different parts of the production lifecycle have different requirements.

The aim is to put each part of the workflow where it works best, whether that means more cloud or less, and to make the connections between those environments as straightforward as possible.

Start with the workflow

The media technology landscape is not getting simpler. Production teams are working across more applications, locations and storage environments, while the amount of content they manage continues to grow.

Trying to solve that complexity by replacing everything with one enormous system can create a different kind of complexity.

Keep the creative tools that work. Keep media where there is a good reason for it to live. Add deeper production management where it is needed and lighter collaboration tools where it is not. Use AI to make existing content more accessible. Connect on-prem, cloud and remote workflows rather than treating them as separate worlds.

Want to talk about your workflow?

Estimated reading time: 5 minutes